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BEGIN:VEVENT
DTSTART;TZID=UTC:20240518T080000
DTEND;TZID=UTC:20260510T170000
DTSTAMP:20260415T182020
CREATED:20260301T233916Z
LAST-MODIFIED:20260301T233916Z
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SUMMARY:Science Fiction Design: From Space Age to Metaverse – Vitra Schaudepot 2026
DESCRIPTION:OverviewThe exhibition called Science Fiction Design: From Space Age to Metaverse is being displayed at Vitra Schaudepot which is located in Weil am Rhein\, Germany. The exhibition displays more than 100 objects which show how science fiction influences design through a futuristic display created by Argentine visual artist and designer Andrés Reisinger. The collection includes items which range from early twentieth century design to Space Age products and present day virtual reality creations. FocusThe exhibition studies the ways through which science fiction has shaped design visual elements and selection of materials and futuristic design concepts. The exhibition displays historical furniture items which show future cinematic predictions together with modern digital creations which combine physical and digital elements while showing cultural heritage and future potential. ProgramThe exhibition showcases items from the Vitra Design Museum collection which are presented in a futuristic display. The exhibition features items designed by mid-century designers who created work for classic science fiction movies and modern studies into metaverse design. The exhibition includes additional contextual materials from literature and film which demonstrate how science fiction has shaped design practices throughout history. AudienceThis exhibition is suitable for design professionals\, historians\, students\, and general audiences who want to learn about design history and cultural speculation and future creative practices. Event Details \n\n\nDates\nUntil 10 May 2026\n\n\nHours\nDaily\, 10:00 AM – 6:00 PM\n\n\nVenue\nVitra Schaudepot\n\n\nLocation\nCharles‑Eames‑Straße 2\, 79576 Weil am Rhein\, Germany\n\n\nEvent Type\nExhibition\n\n\nAdmission\n€23.00 (standard)\, €21.00 (combined ticket)\, €13.00 (single)\, €10.00 (reduced); children under 13 free* \n\n\n✦ ArchUp Editorial InsightThe exhibition presents science fiction design through its examination of design patterns and speculative storytelling which extends from early 20th century futurism through to current virtual reality spaces. The project studies artistic and material research because it shows how people from various cultures understand different things. The installation demonstrates design future possibilities through visual representation but its main function exists within the museum’s storytelling system which restricts its ability to show architectural design elements. The exhibition shows how architectural design concepts evolve because it presents the fundamental design concepts and cultural influences which shape design thinking. Closing NoteThe exhibition shows how science fiction concepts have created today’s design practices by showing historical design objects together with modern designs which exist in fictional settings. Explore the Latest Architecture Exhibitions & Conferences ArchUp offers daily updates on top global architectural exhibitions\, design conferences\, and professional art and design forums. Follow key architecture competitions\, check official results\, and stay informed through the latest architectural news worldwide. ArchUp is your encyclopedic hub for discovering events and design-driven opportunities across the globe.
URL:https://archup.net/event/science-fiction-design-from-space-age-to-metaverse-vitra-schaudepot-2026/
LOCATION:Vitra Design Museum\, Vitra Design Museum Charles-Eames-Str. 2 D-79576 Weil am Rhein\, Weil am Rhein\, Weil am Rhein\, -\, Germany
CATEGORIES:Exhibitions
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ORGANIZER;CN="Vitra Design Museum":MAILTO:info@design-museum.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20250715T080000
DTEND;TZID=UTC:20260712T170000
DTSTAMP:20260415T182020
CREATED:20251027T225628Z
LAST-MODIFIED:20251027T225628Z
UID:10000905-1752566400-1783875600@archup.net
SUMMARY:The Many Lives of the Nakagin Capsule Tower
DESCRIPTION:The exhibition titled The Many Lives of the Nakagin Capsule Tower is going to be held at the Museum of Modern Art\, New York City\, from July 10\, 2025\, to July 12\, 2026. The exhibition is a reflection of the fifty-year-old history of the Nakagin Capsule Tower\, which was designed by Kisho Kurokawa\, a leading architect of the Japanese Metabolism movement. The building was initially completed in 1972 and was a grouping of prefabricated modular capsules connected to communal cores\, thus making it a prominent example of the Metabolism movement. The exhibition will not only tell the story of the tower’s rise as a metaphor for the future but also about the changes it underwent throughout its life cycle until the final demolition of the last unit took place in 2022. However\, the legacy of the capsule continues to be present through the units that were preserved and the reinterpretations that were made. Event OverviewThe A1305 capsule is the most important aspect of the exhibition; only fourteen units were restored after the demolition. The display includes original drawings\, models\, ephemera\, photographs\, and films that illustrate the building’s conception\, marketing\, use\, decline\, and legacy. Video interviews with ex-residents and a virtual tour give an intimate and spatial insight into the narrative. The exhibition views the tower as a dynamic repository of architectural trial\, urban evolution\, and cultural remembrance. Architectural AnalysisThe Nakagin Capsule Tower’s design was based on the principles of flexibility\, modularity\, and urban living at a very small scale. The prefabricated capsules were designed in such a way that they could be easily replaced with others as the requirements changed; thus\, the whole building was similar to a living organism. The combination of materials and structure consisted of concrete and steel cores that supported the factory-made capsule units. The building\, in terms of context\, not only addressed the issue of rapid urbanization of post-war Tokyo but also the avant-garde ideas of machine\, growth\, and transformation in architecture. A critical reflection arises concerning the original promise of replaceability and longevity; was it actually realistic? The capsules were mostly untouched for decades\, maintenance turned out to be very expensive\, and finally\, the tower had to be demolished. The exhibition demands from the audience to ponder over the conflict between the futuristic flexibility and the down-to-earth durability in the context of architecture. Project ImportanceFor architects and designers this exhibition provides rich lessons on the interplay of innovation and lifespan in built work. It teaches that architectural ambition must consider the long term as well as the immediate. From a typological perspective\, the tower influenced ideas about micro dwellings\, urban densities\, and modular construction. In the current era of sustainability and transformation\, the project matters because it invites reflection on how architecture adapts\, becomes repurposed\, and ultimately becomes part of cultural memory rather than only physical infrastructure. ✦ ArchUp Editorial InsightThe Many Lives of the Nakagin Capsule Tower narrates a story of architecture that is nothing but an experiment and heritage at the same time. The display focuses on the important aspects like modularity\, urban density\, and the participation of architecture in the life of the city that is constantly changing. One of the important issues to discuss is if the building’s innovative system could actually provide the promised renewal and replacement over the years. However\, the ongoing impact of the project demonstrates how far architecture can go\, over the barrier of physical life\, to be transformed into an idea\, a model\, and a legacy. ConclusionThe exhibition is a representation of a daring architectural concept and its intricate life post-construction. It is through the capsule\, models\, and archival material that the show invites the audience to interact with architecture in its dual capacity as an aesthetic form and a procedural aspect\, as a social space and a temporal system. For the architects and the architectural community\, the exhibition is a reminder that the design process does not only cover the moment of creation but also the entire trajectory of use\, decay\, adaptation\, and memory. The exhibition compels us to consider how architecture keeps on being relevant by changing through evolving and being reimagined. The history of the Nakagin Capsule Tower is such that it teaches us the dramatic ideas in architecture may\, though unintentionally\, persist to play a role in shaping new design and revisiting the old concepts of permanence\, flexibility\, and valuelessness. Explore the Latest Architecture Exhibitions & ConferencesArchUp offers daily updates on top global architectural exhibitions\, design conferences\, and professional art and design forums. Follow key architecture competitions\, check official results\, and stay informed through the latest architectural news worldwide. ArchUp is your encyclopedic hub for discovering events and design-driven opportunities across the globe. Brought to you by the ArchUp Editorial TeamInspiration starts here. Dive deeper into architecture\, interior design\, research\, cities\, design\, and cutting-edge projects on ArchUp.
URL:https://archup.net/event/the-many-lives-of-the-nakagin-capsule-tower/
LOCATION:Museum of Modern Art\, New York\, United States
CATEGORIES:Exhibitions
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20251001T080000
DTEND;TZID=UTC:20261231T170000
DTSTAMP:20260415T182020
CREATED:20251027T231357Z
LAST-MODIFIED:20251027T235517Z
UID:10000907-1759305600-1798736400@archup.net
SUMMARY:Maritime City
DESCRIPTION:The exhibition Maritime City opens on the 1st of October in 2025 at the historic A. A. Thomson and Co. building\, which is a part of the South Street Seaport Museum in NYC\, and stays until the 31st of December in 2026. The exhibition showcases New York’s maritime roots and its global cultural and financial center\, where the seaport was the main thing that connected the city’s identity to the world. The exhibition spreads through three floors and collects over five hundred objects from the museum’s archives and collections that have been very carefully chosen to show the city’s journey from a port to a metropolis. The exhibition takes place in a cast iron and stone warehouse that has been restored\, which was originally built in 1868. The architecture becomes part of the narrative\, representing the city turning to the cultural side and preserving the historical site. Visitors learn how ships\, shipping lines\, port workers\, immigrants\, waterfront industries\, and the built environment together made New York a world city. Event OverviewThe exposition traces the development of New York waterways and the people who provided the labor associated with them. The items on display help reconstruct the circumstances of seagoing lives\, the character of waterfront businesses\, and the coping strategies of newly arrived immigrants. The exhibition narrates the story of the entire New York area\, encompassing the five boroughs\, Long Island\, and the lower Hudson Valley region. It uses ship parts\, tools\, personal items\, and archival photographs to tell us a layered story of how the seaport influenced the design of buildings\, development of infrastructure\, and lifestyles of the people. The preserved structure of the building reinforces the relationship between maritime industry and the urban fabric\, thus allowing the exhibition to integrate history and space into one experience. Architectural AnalysisMaritime City’s design maintains the warehouse structure as a main storylineof the narrative. The vertical layout of the building has created a journey that mirrors the different aspects of maritime history. The visitors started at dock level and then traveled through the storage and office areas\, which was the city growing through architecture. The curators kept the original stone walls\, iron columns\, and timber beams by showcasing them\, which not only emphasized but also material honesty and authenticity. These features not only express the industrial atmosphere of the space but also literally connect with the stories told by the artifacts. The site of the Seaport district is a big factor that adds to the meaning of the exhibition since it is located in one of the oldest preserved waterfront places in the city. One cannot help but think whether the exhibition is too much on the past and not sufficiently on the present\, and the issues of waterfront resilience\, climate adaptation\, and public access are among the most important ones. However\, the design has already illustrated the interrelation of maritime labor\, architecture\, and urban evolution\, thus turning the building itself into a storyteller. Project ImportanceMaritime City is an illuminative experience for architects and designers\, revealing the influences of material culture and industry on urban developments. It suggests that the design of buildings is not only about the architects’ creative intentions but also about the economic systems\, labor\, and infrastructural considerations. The show educates the audience that urban places are dynamic archives of the past related to production and trade\, where the built environment functions as both a witness and a participant. From a typological perspective\, it points out how the industrial buildings could retain their character while occupying new cultural roles through the process of adaptation. In the present-day scenario of rising sea levels and changing waterfront economies\, the exhibition reminds us that heritage and sustainability are intimately connected; thus\, it is still impactful. It opens the eyes of the designers to look at the past as a source of strength for the new urban futures that are resilient and meaningful rather than as nostalgia. ✦ ArchUp Editorial InsightMaritime City effectively connects architecture\, industry\, and history\, showing how New York’s identity was formed by its relationship to the sea. The exhibition design uses the physical qualities of the warehouse to create a direct dialogue between space and content. A constructive question remains about whether the show could address current waterfront issues more directly. Yet it offers a strong example of how heritage architecture can serve education and reflection\, revealing how the past continues to shape the imagination of urban design. ConclusionMaritime City is an exhibition as well as an architectural experience. With the help of artifacts\, restored industrial space\, and curatorial storytelling\, it shows how architecture remembers the past in terms of work\, trade\, and transformation. The exhibition invites the audience to interpret the city as a result of movement and exchange\, constructed by both hard labor and creative adaptation. For architects\, it supports the notion that buildings and materials are not inactive remnants but rather active witnesses to the changes in culture and environment. Maritime City is a considered model for the connectivity of history\, design\, and heritage that can become a source of inspiration for the future of cities that are influenced by water\, industry\, and imagination. Explore the Latest Architecture Exhibitions & ConferencesArchUp offers daily updates on top global architectural exhibitions\, design conferences\, and professional art and design forums. Follow key architecture competitions\, check official results\, and stay informed through the latest architectural news worldwide. ArchUp is your encyclopedic hub for discovering events and design-driven opportunities across the globe. Brought to you by the ArchUp Editorial TeamInspiration starts here. Dive deeper into architecture\, interior design\, research\, cities\, design\, and cutting-edge projects on ArchUp.
URL:https://archup.net/event/maritime-city/
LOCATION:South Street Seaport Museum\, A.A\, Thomson & Co.\, 213 Water Street\, New York\, United States
CATEGORIES:Exhibitions
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20251001T080000
DTEND;TZID=UTC:20261231T170000
DTSTAMP:20260415T182020
CREATED:20251028T035724Z
LAST-MODIFIED:20251028T035724Z
UID:10000906-1759305600-1798736400@archup.net
SUMMARY:The Historic Buildings of the South Street Seaport
DESCRIPTION:The Historic Buildings of the South Street Seaport exhibition is an amazing journey through the ups and downs of one of the most lively cultural areas of New York City. The exhibition not only narrates about the city using the maritime silhouette but also shows that restoration and adaptation can happily survive together in a modern city context. It takes the visitors’ time traveling and leads to seeing how the old warehouses\, counting houses\, and piers are no more merely commercial centers but lively public spaces. The Seaport is a witness to the history of the urban setting\, revealing the delicate balance of the three components of craftsmanship\, history\, and innovation. The exhibition\, through the use of drawings\, photographs\, and even physical fragments\, documents the processes of the preservation and the transformations that have made it possible for the waterfront area to keep its historical character and adapt it to new demands. It has set the stage for a discourse on what it means to protect the past in a metropolis that is changing so fast. At the same time\, the architecture of the South Street Seaport reflects such stories and events as stronghold\, continuity\, and even rejuvenation\, thus providing great insights to architects\, designers\, and urban thinkers. This exhibition is a golden chance to scrutinize the architectural DNA of the Seaport\, taking and examining not only its visual attractiveness but also its social and economic function. It shifts the historical preservation discourse to an ongoing dialogue between time and function rather than a static display of the past. ContentThe show allows people to experience the South Street Seaport’s architectural and cultural development. The transformation of a working port into a living museum of maritime heritage is illustrated through historical drawings\, archival images\, and digital reconstructions. The displays also showcase the skills used in the construction of the district’s very first buildings\, like brick warehouses and timber-framed shops built to survive the city’s ever-changing weather. Interactive maps and models are among the tools that allow visitors to follow the Seaport’s architectural path and recognize the changes in the district’s urban fabric throughout centuries. With the new interventions\, modern building elements get added with a finite understanding of painstaking care that guarantees a balance is maintained between the old and new. Rather than recreating the past\, these interventions are like transparent layers that let history be visible while accommodating the present. The emphasis goes further by looking at the social aspect of the site besides just that of preservation. The exhibition brings forth the point that the Seaport has been turning from a mere tourist attraction into a community space where history meets commerce\, culture\, and education. Being a dual identity\, this situation strengthens the idea that heritage should not be made to remain untouched\, but rather\, active use is what keeps the memory alive. Architectural AnalysisThe South Street Seaport is a perfect example of how buildings can express the rhythm and the durability of a city’s past. Besides\, the bright and colorful material language of brick\, wood\, and cast iron gives the city an industrial character that is all its own. The proportionate dimensions\, the repetition of facades\, and the presence of open bays are nothing but the demonstrations by the builders of the logic of utility\, but with careful restoration\, they are now elevated to be pieces of art of everlasting beauty. The methods of preservation adopted focus entirely on the materials used and thus are very much authentic. Instead of replacing original surfaces\, they were reinforced\, and the contemporary insertions were made in a manner that is very clear and thus not confusing to the viewer as to what is historical and what is modern. This design philosophy is in a way that surrenders to the original fabric by granting it the love of being the only one\, while at the same time keeping the site active. In a major way\, the exhibition prompts a discussion about the limits of restoration. Is it possible for a place to be real when the whole of its economic and social functions have been changed? Does adaptive reuse preserve or alter the soul of architecture? The exhibition proposes that authentic preservation is not in the duplication but rather in the creation of continuity through responsible transformation. Project ImportanceThe exhibition provides a heavy lesson about cities that can grow yet keep their architectural memory. For architects and designers\, it reveals the necessity that adaptive reuse be considered a strategy that is consistent with the historical conservation and the sustainability. The Seaport\, with its repurposing of the existing buildings\, not only reduces environmental waste but also keeps cultural meaning. The above project still further reveals the link between architecture and the collective identity. The Seaport’s transformation demonstrates that heritage areas can become even more important when accommodating contemporary social and cultural needs. It imparts the lesson that conservation is not merely an act of nostalgia but rather a forward-thinking process that interlinks the past with the present. The exhibition in the current urban landscape\, which often sees modernization as a threat to the historical fabric\, is a powerful reminder that progress and preservation can be two sides of the same coin. It shows that heritage architecture can still foster new creativity without compromising authenticity\, thus becoming a model for the future of restoration in different parts of the world. ✦ ArchUp Editorial InsightThe exhibition manages to exhibit the South Street Seaport as a vibrant archive of nautical architecture. The way it is structured underlines visual rhythm\, material texture\, and the difference between restored and modern components. The design technique conveys the mood of the waterfront very accurately and gently. On the other hand\, the exhibition questions the issue of authenticity and the extent of commerce’s influence. In other words\, by making historical neighborhoods attractive for culture\, do they then keep their core or fall into the trap of commodification? This contradiction is the source of the intellectual depth of the exhibition. Besides\, its combination of rigorous research and easy understanding has made it an important factor in today’s urban heritage comprehension. ConclusionThe exhibition of the Historic Buildings of the South Street Seaport is not just a visual time travel; it is a paradigm shift in how cities evaluate their architectural heritage and how they sustain it. It shows that buildings can go through changes without losing their essence\, and thus\, preservation and innovation can live together in the same urban space. In the eyes of the architectural community\, the Seaport is an instance that thoughtful design can not only bring about the revival of old structures but also impart modernity to the original concept as well. It does not cease to point out that architecture is a dynamic practice that gets its shape from the surroundings\, memory\, and adaptability. The exhibition on the heritage site has brought forth the notion that sustainable development is not replacing the past but rather\, understanding and incorporating it. By letting the Seaport’s spirit linger on\, the project reinterprets preserving as a creative act that links the past with the present and opens up new ways of thinking in urban design. Explore the Latest Architecture Exhibitions & ConferencesArchUp offers daily updates on top global architectural exhibitions\, design conferences\, and professional art and design forums. Follow key architecture competitions\, check official results\, and stay informed through the latest architectural news worldwide. ArchUp is your encyclopedic hub for discovering events and design-driven opportunities across the globe. Brought to you by the ArchUp Editorial TeamInspiration starts here. Dive deeper into architecture\, interior design\, research\, cities\, design\, and cutting-edge projects on ArchUp.
URL:https://archup.net/event/the-historic-buildings-of-the-south-street-seaport/
LOCATION:https://southstreetseaportmuseum.org/the-buildings/
CATEGORIES:Exhibitions
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260120T080000
DTEND;TZID=UTC:20260515T170000
DTSTAMP:20260415T182020
CREATED:20251227T212453Z
LAST-MODIFIED:20251227T212453Z
UID:10000990-1768896000-1778864400@archup.net
SUMMARY:Designers of Mountain and Water: Alternative Landscapes for a Changing Climate 2026
DESCRIPTION:Event BriefDesigners of Mountain and Water: Alternative Landscapes for a Changing Climate 2026 will be a landscape architecture conference of two days with an exhibition as a sequel. This is the main topic of the event: it will reconsider the interaction of nature and society through the lens of climate change. The event is designed to bring excellent landscape architects and scholars together from the three continents Asia\, Australia and the United States to give them the opportunity to talk about sustainable design strategies which are based on both historical and contemporary traditions. The conference is academic and dialogic rather than a competitive design competition. IntentThe event looks into the creative nature visions as they are perceived in different Asian cultures of mountain and water and how these values could contribute to the development of sustainable design in climate change scenarios. PurposeThe conference acts as a forum to really present different viewpoints\, historical accounts\, and culture storytelling\, as well as the most important projects\, from top professionals and researchers. It brings about a unique interdisciplinary dialogue around the ecological\, social\, and cultural aspects of landscape architecture. RequirementsThe whole event is open to public. There are no predetermined design project submission requirements\, as the event format is conference and exhibition forum. JuryThere will be neither a jury nor any competitive evaluation framework since the event is not intended as a competition. FeesThe fee information for Designers of Mountain and Water: Alternative Landscapes for a Changing Climate 2026 is not publicly available in the form of fixed ticket prices or registration fees. Rewards\n\n\n\n\nReward type\nDetails\n\n\n\n\nProfessional benefit\nExposure to international dialogues on sustainable landscape design and climate adaptation research\n\n\n\n\nDates\n\n\n\n\nDetail\nInformation\n\n\n\n\nConference dates\nFebruary 5 to February 6 2026\n\n\nExhibition period\nJanuary 20 to April 4 2026\n\n\nVenue\nHarvard GSD\, Cambridge Massachusetts United States\n\n\n\n\n✦ ArchUp Editorial InsightMountain and Water’s designers: Alternative Landscapes for a Changing Climate 2026 acts mainly as an academic and professional forum that deals with landscape architecture in the context of climate change. The focus on interdisciplinary dialogue\, cultural narratives\, and historical traditions places the event in the domain of research and conceptual exploration rather than competitive evaluation. Participants are engaged in sustainable design strategies and ecological thinking without the constraints of submission requirements or adjudication. From the architectural viewpoint\, the event gives a glimpse of the way social and environmental considerations can be integrated into landscape design\, while at the same time not being a critical design assessment or formal recognition of innovation venue. Conclusion Mountain and Water’s designers: Alternative Landscapes for a Changing Climate 2026 is a scholarly conference and an exhibition rather than a competitive design event. Eco-friendly design\, interdisciplinary communication\, and historical context are the main topics of the discussion at this event\, which takes place in the realm of academic and cultural debate rather than critical adjudication or competition. The lack of published fee structures and a jury further confirms its status as an open professional forum that values knowledge exchange and conceptual exploration above competitive outcomes. Explore the Latest Architecture Exhibitions & ConferencesArchUp offers daily updates on top global architectural exhibitions\, design conferences\, and professional art and design forums. Follow key architecture competitions\, check official results\, and stay informed through the latest architectural news worldwide. ArchUp is your encyclopedic hub for discovering events and design-driven opportunities across the globe.
URL:https://archup.net/event/designers-of-mountain-and-water-alternative-landscapes-for-a-changing-climate-2026/
LOCATION:Druker Design Gallery\, Harvard University\, United States
CATEGORIES:Conferences,Exhibitions
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260130T080000
DTEND;TZID=UTC:20260517T170000
DTSTAMP:20260415T182020
CREATED:20260127T225258Z
LAST-MODIFIED:20260127T225258Z
UID:10001098-1769760000-1779037200@archup.net
SUMMARY:Otto Wagner – Architect of Modern Life 2026
DESCRIPTION:Overview\n\nThe Tchoban Foundation Museum for Architectural Drawing in Berlin Germany hosts the architectural drawing exhibition Otto Wagner\, Architect of Modern Life. The exhibition displays works by Otto Wagner from different time periods while showing how he helped create modern architectural styles. \n\nFocus\n\nThe exhibition focuses on Otto Wagner’s contributions to architecture around the turn of the twentieth century. The exhibition presents his work through drawings and project studies which show his development from historicist designs to modern European architecture. The presentation of Wagner’s work shows his architectural development through different architectural styles which occurred during his career. \n\nProgram\n\nThe exhibition consists of curated displays of original architectural drawings and sketches by Otto Wagner. The collection includes his initial designs and projects which follow Secession style and his later pieces which show his adoption of modernism. The exhibition shows Wagner’s design development through a chronological and thematic arrangement which shows his work in different contexts. The museum’s galleries provide space for focused study and public viewing of these works on paper. \n\nAudience\n\nThe exhibition is suitable for architects\, historians\, students of architecture\, drawing and design professionals\, and anyone with an interest in architectural history and the graphic representation of ideas. \n\nEvent Details\n\n\n\n\n\nDates\nVenue\nEvent Type\nAccess\nFees\n\n\nJanuary 31 — May 17\, 2026\nTchoban Foundation Museum for Architectural Drawing\, Berlin\, Germany\nArchitectural drawing exhibition\nOpen to the public during museum hours\nStandard museum admission applies\n\n\n\n\n\n✦ ArchUp Editorial Insight\n\nThe Otto Wagner\, Architect of Modern Life 2026 exhibition offers a detailed study of Wagner’s architectural evolution which demonstrates his shift from using historicist design methods to his adoption of modernist design methods. The exhibition displays original drawings and project studies which enable viewers to study his design concepts and formal design methods and their respective architectural development through graphic design. The chronological system shows how styles developed over time but it restricts user experience because it only provides access to two-dimensional artwork instead of three-dimensional and physical results. The exhibition provides insight into Wagner’s influence on modern architecture but primarily through theoretical and representational lenses rather than through built environment evaluation. \n\nClosing Note\n\nThis exhibition situates Otto Wagner’s drawn work within a broader history of modern architecture. The research examines how architectural representation functions together with draughtsmanship to shape architectural concepts which architects use in their design process. Explore the Latest Architecture Exhibitions & ConferencesArchUp offers daily updates on top global architectural exhibitions\, design conferences\, and professional art and design forums. Follow key architecture competitions\, check official results\, and stay informed through the latest architectural news worldwide. ArchUp is your encyclopedic hub for discovering events and design-driven opportunities across the globe.
URL:https://archup.net/event/otto-wagner-architect-of-modern-life-2026/
LOCATION:Tchoban Foundation – Museum for Architectural Drawing\, Christinenstr. 18a\, 10119 Berlin\, Berlin\, Berlin\, 49\, Germany
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://archup.net/wp-content/uploads/2026/01/20260122175552.jpg
ORGANIZER;CN="Tchoban Foundation %E2%80%93 Museum for Architectural Drawing":MAILTO:mail@tchoban-foundation.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260130T080000
DTEND;TZID=UTC:20260517T170000
DTSTAMP:20260415T182020
CREATED:20260216T164109Z
LAST-MODIFIED:20260216T164109Z
UID:10001173-1769760000-1779037200@archup.net
SUMMARY:Beyond the Façade Exhibition 2026
DESCRIPTION:OverviewBeyond the Façade is a contemporary art exhibition hosted inside Casa Batlló Contemporary in Barcelona. The exhibition develops through United Visual Artists\, a London-based studio which creates light-based installations that show Antoni Gaudí’s architectural heritage through digital spaces and spatial media artworks. The exhibition forms part of the broader visitor experience inside Casa Batlló\, which combines traditional architectural elements with modern artistic expressions. The historic building operates as both exhibition space and fundamental design element of his architectural work. Related industry discussions often appear across architecture events. FocusThe exhibition focuses on reinterpretations of Gaudí’s structural logic\, organic geometry\, material experimentation\, and relationship between architecture and nature. The installations use projection together with sound and dynamic lighting and kinetic digital composition to create artistic spaces which show architectural principles to viewers. This type of architectural interpretation aligns with analytical themes which architectural articles explore through research that studies experimental design in connection to architectural competitions. ProgrammeVisitors access the exhibition as part of the Casa Batlló tour route. The experience includes guided circulation through the historic residence\, audiovisual installations\, immersive exhibition rooms\, and digital interpretation spaces located within the second floor contemporary gallery. The exhibition exists within the complete museum experience\, which differs from a separate ticketed conference or lecture event. AudienceThe exhibition targets architects\, architecture students\, digital artists\, exhibition designers\, historians\, and cultural visitors who want to explore Gaudí’s work and modern spatial media installations. Event Details\n\n\nItem\nDetails\n\n\nDates\n31 January 2026 — 17 May 2026\n\n\nVenue\nCasa Batlló Contemporary\, Barcelona\, Spain\n\n\nEvent Type\nArchitectural exhibition integrated within museum visit\n\n\nAccess\nEntry included with Casa Batlló admission ticket\n\n\nFees\nStandard Casa Batlló visitor ticket required. Pricing varies depending on ticket category\, visitor type\, and time slot.\n\n\n✦ ArchUp Editorial InsightThe Beyond the Façade exhibition uses its immersive installations to show historical building design through spatial storytelling which does not depend on architectural technical studies. The exhibition demonstrates to architects how heritage spaces can be transformed through three elements which include light and sound and digital sequencing to show movement patterns and building components and important geometric shapes. The study presents a relevant case about heritage interpretation and exhibition design which informs building practices but its practical building methods and academic theories need further development. Critical ConclusionBeyond the Façade functions as a cultural interpretive installation which lacks features of an academic architectural exhibition. The installation represents its highest value through its ability to transform Gaudí’s architectural style into modern interactive media formats which anyone can use. The research offers minimal benefits to technical experts but it shows how heritage buildings can be brought back to life through two methods which include digital storytelling and exhibition design techniques. Explore the Latest Architecture Exhibitions & ConferencesArchUp offers daily updates on top global architectural exhibitions\, design conferences\, and professional art and design forums. Follow key architecture competitions\, check official results\, and stay informed through the latest architectural news worldwide. ArchUp is your encyclopedic hub for discovering events and design-driven opportunities across the globe.
URL:https://archup.net/event/beyond-the-facade-exhibition-2026/
LOCATION:Casa Batlló\, Pg. de Gràcia\, 43 08007 Barcelona\, Barcelona\, Barcelona\, -\, Spain
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/webp:https://archup.net/wp-content/uploads/2026/02/Web_Expo-Cover-v.jpg.webp
ORGANIZER;CN="Casa Batll%C3%B3":MAILTO:info@casabatllo.cat
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260206T080000
DTEND;TZID=UTC:20260503T170000
DTSTAMP:20260415T182020
CREATED:20260203T193000Z
LAST-MODIFIED:20260203T193000Z
UID:10001120-1770364800-1777827600@archup.net
SUMMARY:Full Circle: Richard Fleischner with David Smith\, Christo\, Claes Oldenburg\, Barnett Newman\, & other Monumenta Artists
DESCRIPTION:OverviewThe art exhibition Full Circle 2026 takes place at Newport Mansions which is located in Newport Rhode Island. The exhibition presents contemporary artworks and archival materials to explore a historic outdoor sculpture exhibition. FocusThe exhibition shows Richard Fleischner’s artwork together with artwork from the 1974 Monumenta event which includes works by David Smith and Christo and Claes Oldenburg and Barnett Newman. The exhibition presents its contents through an analysis of modern and contemporary sculpture. ProgramThe exhibition operates throughout the day because it displays artworks and sculptural pieces which occupy spaces inside and outside Rosecliff Mansion. Visitors can join guided tours which include member‑exclusive tours that run on selected days to explore Fleischner’s work and related pieces in depth. AudienceThe exhibition appeals to art enthusiasts who include architecture and design professionals and historians and students and museum visitors who want to see modern art and sculpture. Event Details\n\n\n\n\nItem\nDetails\n\n\n\n\nDates\n6 February 2026 — 3 May 2026\n\n\nVenue\nRosecliff Mansion\, Newport\, Rhode Island\, USA\n\n\nEvent Type\nArt exhibition\n\n\nAccess\nPublic access with museum admission ticket\n\n\nFees\nIncluded with standard Rosecliff Mansion admission ticket\n\n\n\n\n✦ ArchUp Editorial InsightAll research studies conducted at Newport Mansions in 1974 demonstrate the relationship between sculpture building design and specific installation locations through the work of Richard Fleischner and his fellow artists. The exhibition uses original sketches and archival materials to demonstrate how artists maintain their connections to nature and their artistic work. The study examines art history through three main areas of sculptural heritage which includes historical estate designs together with their surrounding natural environment. Closing NoteFull Circle revisits a landmark moment in modern sculpture history. The exhibit demonstrates its value through artistic displays which exist within an authentic historical building rather than through architectural evaluation or design assessment. Explore the Latest Architecture Exhibitions & ConferencesArchUp offers daily updates on top global architectural exhibitions\, design conferences\, and professional art and design forums. Follow key architecture competitions\, check official results\, and stay informed through the latest architectural news worldwide. ArchUp is your encyclopedic hub for discovering events and design-driven opportunities across the globe.
URL:https://archup.net/event/full-circle-richard-fleischner-with-david-smith-christo-claes-oldenburg-barnett-newman-other-monumenta-artists/
LOCATION:Rosecliff\, 548 Bellevue Ave Newport\, RI 02840\, Rhode Island\, Rhode Island\, 1\, United States
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://archup.net/wp-content/uploads/2026/02/10_-_FLEISCHNER_Aerial_photograph_of_Sod_Maze__Newport__Rhode_Island___2_.jpg
ORGANIZER;CN="The Preservation Society of Newport County":MAILTO:info@newportmansions.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260211T080000
DTEND;TZID=UTC:20260531T170000
DTSTAMP:20260415T182020
CREATED:20260213T215321Z
LAST-MODIFIED:20260213T215321Z
UID:10001167-1770796800-1780246800@archup.net
SUMMARY:Denise Scott Brown: City Street House 2026
DESCRIPTION:OverviewThe presentation of *City Street House* as a historic residential development by Denise Scott Brown demonstrates her design methods and urban design and architectural space planning. The session includes presentations\, architectural analysis\, and discussions on postmodern residential design principles. The event connects to broader industry insights found in architecture events. FocusThe research investigates three areas which include urban residential design and adaptive reuse and the creative development of compact urban spaces. The study will examine how materials are selected and how exterior facades and interior spaces are designed. The lecture complements theoretical discussions presented in architecture articles and it parallels design analysis approaches which architecture competitions use. ProgramThe event begins with a main speech about *City Street House* which is followed by a question-and-answer period with architects and designers and students. The project study provides participants with two activities which include small-group design discussions and urban design examination activities. AudienceThe lecture is open to architects\, urban designers\, architecture students\, researchers\, and professionals who study postmodern residential architecture and urban infill developments. Event Details\n\n\nItem\nDetails\n\n\nDate\nFeb 11 – May 31\, 2026 \n\n\nTime\n10am – 8pm \n\n\nVenue\n\nBilbao Fine Arts Museum\n\n\n\nEvent Type\nArchitectural lecture and discussion\n\n\nAccess\nOpen to registered attendees\n\n\nFees\nGeneral Admission — 50 USD / Students — 25 USD\n\n\n✦ ArchUp Editorial InsightThe professional analysis of postmodern urban residential architecture gets executed through Denise Scott Brown City Street House 2026 which serves as a dedicated research platform. The architecturally design proceeds through three main elements which include spatial design methods and material selection and urban site development patterns for small city areas. The lecture and discussion format enables critical examination of urban infill challenges\, facade articulation\, and interior spatial organization\, offering practical and theoretical insights for architects and students. The event serves academic and professional purposes while it helps people understand adaptive urban housing and real-world applications of postmodern design principles which connect design theory with actual urban environments. Critical ConclusionThe Denise Scott Brown City Street House 2026 event provides a focused platform to study postmodern urban residential architecture. Its value exists through three elements which include professional development and spatial analysis and design discussion about contextual designs. The event presents academic and professional content while it shows practical difficulties which emerge during urban infill development and small-lot residential construction projects that happen between bigger architectural events. Explore the Latest Architecture Exhibitions & ConferencesArchUp offers daily updates on top global architectural exhibitions\, design conferences\, and professional art and design forums. Follow key architecture competitions\, check official results\, and stay informed through the latest architectural news worldwide. ArchUp is your encyclopedic hub for discovering events and design-driven opportunities across the globe.
URL:https://archup.net/event/denise-scott-brown-city-street-house-2026/
LOCATION:Bilbao Fine Arts Museum\, Eduardo Chillida square. Bilbao\, 48009\, Bilbao\, Bilbao\, -\, Spain
CATEGORIES:Conferences
ATTACH;FMTTYPE=image/jpeg:https://archup.net/wp-content/uploads/2026/02/DSB_Ciudad_calle_casa_4-1.jpg
ORGANIZER;CN="Bilbao Fine Arts Museum":MAILTO:direction@bilbaomuseoa.eus
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260226T080000
DTEND;TZID=UTC:20260830T170000
DTSTAMP:20260415T182020
CREATED:20260310T205429Z
LAST-MODIFIED:20260310T211213Z
UID:10001297-1772092800-1788109200@archup.net
SUMMARY:Interactive Entertainment Architecture: Culture Lab\, Toronto 1991–1994
DESCRIPTION:Overview\n\n\nThe exhibition titled “Interactive Entertainment Architecture: Culture Lab\, Toronto 1991–1994” is being presented by the Canadian Centre for Architecture in Montreal\, Quebec. This exhibition will run from February 26 to August 30\, 2026\, in the Octagonal Gallery. The Canadian Centre for Architecture exhibition is about architecture\, media theory\, and digital cultural history.\n \nFocus\n\nThis exhibition looks back at Culture Lab\, which was a series of twelve talks that architect Brian Boigon set up at the back of the Rivoli rock club on Queen Street West in Toronto from 1991 to 1994. Culture Lab brought together a lot of people like architects\, philosophers\, artists\, science fiction writers\, and theorists to talk about things like cyberspace\, suburbia\, image culture\, and digital desire. This was a time when old media was being replaced by digital systems. \nBrian Boigon did things a bit differently. He did not want it to feel like school. The people who were talking were sitting on stage with drinks. There were a lot of people in the crowd. They were asked to perform or just give a talk. The way it was set up was like a nightclub or a show. This was done on purpose so that people could think about architecture in a way. \nThe Canadian Centre for Architecture is looking at Culture Lab as a way to get people involved. It is like a show that people can participate in. This makes us think about how people talk about design when they’re not in a classroom or office. The Canadian Centre for Architecture exhibition is really about Interactive Entertainment Architecture and how it can be used to get people to think about architecture in a way.\n \n\nA novel format elaborated to study the world of space\, architecture\, and form through the lens of other disciplines — using the codes of entertainment to break from the confined parochialism of academia.\nCCA Exhibition Description\, 2026 \nProgram\nExhibition Display\nThe exhibition includes some video recordings of the Culture Lab symposia that people have not seen before. These videos are shown on thirty-six screens at once\, which breaks up and puts back together the way the symposium looked originally. The people in these videos include Atom Egoyan\, Elizabeth Grosz\, Rosalind Krauss\, Sanford Kwinter\, Bruce Sterling\, Rem Koolhaas\, Peter Eisenman\, and Liz Diller. \nThe Culture Lab symposia feature four projects by Boigon: Cartoon Regulators\, SpillVille\, Splinters\, and “Speed Reading Tokyo.” All of these projects demonstrate how Boigon worked to design interactive media as an artist\, a data systems designer\, and a design theorist. \nExhibition Opening\nThe exhibition opened on February 26 2026. Brian Boigon talked about the ideas behind the Culture Lab. Then the person who put the exhibition together\, Farzin Lotfi-Jam\, gave a talk about how he chose what to include. The exhibition opened at 5:00 p.m. The talk started at 6:00 p.m. In the Paul-Desmarais Theatre. \n\n\nCredits\nCurator: Farzin Lotfi-Jam\nCuratorial Assistant: Charlie-Anne Côté\nGraphic Design: House9\, Montréal\nSoftware Development: Salim Lounis\nDesign Development: Sébastien Larivière\, Anh Truong\nSupported by the Graham Foundation for Advanced Studies in the Fine Arts\, the Government of Québec\, the Canada Council for the Arts\, and the Conseil des arts de Montréal. The exhibition draws from Brian Boigon’s fonds held in the CCA’s permanent collection. \nAudience\nThe exhibition is for people who study architecture\, history\, and media. It is also for people who work in these fields and are interested in culture and new ways of presenting information. The exhibition is at the CCA. It will be open until August 2026. This means that people who are just curious about architecture and media history can also go and see it. The exhibition is a place for anyone who wants to learn more about the connections between architecture and media history. The architecture researchers and historians\, media theorists\, and practitioners will like it because it is about culture and experimental discourse formats. The general public will like it because it is about the intersections of architecture and media history. \nEvent Details\n\n\n\nExhibition Dates\nFebruary 26 – August 30\, 2026\n\n\nVenue\nOctagonal Gallery\, Canadian Centre for Architecture\, Montreal\, QC\n\n\nEvent Type\nExhibition\n\n\nOpening Hours\nThu: 11 am–9 pm / Fri–Sat: 11 am–6 pm / Sun: 11 am–5 pm\n\n\nAdmission\n$15 adults / $10 seniors and students / Free under 18 / Free Thursdays after 5 pm\n\n\nCurator\nFarzin Lotfi-Jam\, Ithaca\n\n\n\n\n✦ ArchUp Editorial Insight\nThe Culture Lab is important not because of what it says but because of how it says it. It shows that people can talk about architecture in a way like a live show without making it stupid. The CCA decided to show this with a video display with thirty-six channels. This is like the way it was presented\, which is good for people who want to analyze it\, but it might make the atmosphere more important than the actual points being made. The fact that these recordings were not seen for over thirty years makes you wonder how architecture stores its experimental ideas. When places like the CCA find this old material\, are they trying to add to what we know about architecture or just confirm what we already know about the Culture Lab and its significance in the field of architecture? \n\n\nClosing Note\nThe exhibition will be open all the way until the summer of 2026. This is a long time for a show like this. The exhibition is about a series of talks that happened in clubs in Toronto in the 1990s. These talks were really about how digital theory performancec\, performance\, and architecture are all connected. The exhibition might be interesting to people who’re not really into this kind of thing\,g but it depends on how well the big video display can show what made the original talks so important. The digital turn is something that happened a long time ago\, so the exhibition needs to make people understand why it was such a big deal back then. The exhibition is trying to show what the original talks were all about. That is the key to making the exhibition work.
URL:https://archup.net/event/interactive-entertainment-architecture-culture-lab-toronto-1991-1994/
LOCATION:Canadian Centre for Architecture\, 1920\, rue Baile Montréal\, Quebec H3H 2S6\, Quebec\, Quebec\, -\, Canada
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://archup.net/wp-content/uploads/2026/03/CCA73102_ARCH289768_R.jpg
ORGANIZER;CN="Canadian Centre for Architecture":MAILTO:info@cca.qc.ca
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260305T080000
DTEND;TZID=UTC:20260920T170000
DTSTAMP:20260415T182020
CREATED:20260304T225208Z
LAST-MODIFIED:20260304T225208Z
UID:10001273-1772697600-1789923600@archup.net
SUMMARY:Architecture of Connection
DESCRIPTION:Overview\nThe exhibition at the Austrian Cultural Forum New York titled “Architecture of Connection” is a major solo exhibition dedicated to the work of internationally renowned Austrian architect Dietmar Feichtinger and his studio. Founded in Paris in 1994\, the practice has developed a distinctive architectural approach grounded in structural clarity\, technical precision\, and sustained engagement with public space.\n Theme\nFeichtinger’s work spans bridges\, transportation infrastructure\, educational and cultural institutions\, residential buildings\, and civic projects. His architecture investigates how built environments can function as connective systems—linking people\, places\, and urban contexts. The practice emphasizes visible structural concepts where engineering systems and construction details are integral to the architectural language\, aligning architecture and engineering in a coherent design methodology focused on accessibility\, spatial legibility\, and long-term performance.\n Exhibition Details\n\n\nItem\nDetails\n\n\nDates\nMarch 5 – September 20\, 2026\n\n\nOpening\nMarch 5\, 2026\, 6:00 PM\n\n\nVenue\nACFNY – Austrian Cultural Forum New York\, 11 E 52nd St\, New York\, NY 10022\, USA\n\n\nOpening Hours\nDaily from 10:00 AM – 6:00 PM\n\n\nOrganizer\nDietmar Feichtinger Architects\n\n\nWebsite\nacfny.org\n\n\n✦ ArchUp Editorial Insight\nThe “Architecture of Connection” exhibition at the Austrian Cultural Forum New York showcases the work of renowned Austrian architect Dietmar Feichtinger and his studio. It highlights their distinctive approach that combines structural clarity\, technical precision\, and sustained engagement with public space. Feichtinger’s projects range from bridges and transportation infrastructure to educational\, cultural\, and residential buildings\, emphasizing how built environments function as connective systems linking people\, places\, and urban contexts. The exhibition underlines the integration of architecture and engineering\, focusing on accessibility\, spatial legibility\, and long-term performance.\n Highlights\nThe exhibition features models\, drawings\, films\, and panoramic documentation of completed and ongoing projects. It highlights the collaborative nature of architecture\, acknowledging engineers\, craftsmen\, and clients\, situating design within a broader collective process.\n Explore the Latest Architecture Exhibitions & Conferences\n\nArchUp offers daily updates on top global architectural exhibitions\, design conferences\, and professional art and design forums. Follow key architecture competitions\, check official results\, and stay informed through the latest architectural news worldwide. ArchUp is your encyclopedic hub for discovering events and design-driven opportunities across the globe.
URL:https://archup.net/event/architecture-of-connection/
LOCATION:ACFNY Austria Cultural Forum NY\, 11 E 52nd St\, NY 10022\, New York\, NY\, United States
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://archup.net/wp-content/uploads/2026/03/instagram_02.jpg
ORGANIZER;CN="Dietmar Feichtinger Architects":MAILTO:paris@feichtingerarchitects.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260312T080000
DTEND;TZID=UTC:20260630T170000
DTSTAMP:20260415T182020
CREATED:20260219T000408Z
LAST-MODIFIED:20260219T000408Z
UID:10001193-1773302400-1782838800@archup.net
SUMMARY:Core Samples 2026
DESCRIPTION:Overview\nCore Samples 2026 is an architectural exhibition which examines the features of architectural design through examination of various artifacts from research and architectural drawings and material testing. The exhibition displays evidence from the design and construction phase which shows how architects develop their work through experimental and testing processes.\n Focus\nThe exhibition explores architectural development through documented process material\, including:\n \n 	Material research samples and fabrication studies\n 	Conceptual and technical architectural drawings\n 	Structural and assembly mock-ups\n 	Construction fragments and prototype components\n 	Documentation revealing design evolution\n\nThe curatorial approach defines architecture as a research discipline which investigates through testing and hands-on material examination.\n Programme\nThe programme operates mainly as an exhibition for public viewing within a gallery space yet it can include:\n \n 	Curated installation displays\n 	Research artifact presentations\n 	Interpretive architectural documentation panels\n 	Educational exhibition material explaining design workflows\n\nThe format emphasizes observation and interpretation rather than conferences\, trade booths\, or commercial networking sessions.\n Audience\n 	Architects and design professionals\n 	Architecture students and academic researchers\n 	Curators and architectural historians\n 	Museum and gallery visitors interested in design processes\n 	Professionals studying material experimentation and fabrication methods\nEvent Details\n\n\nItem\nDetails\n\n\nDates\n12 March 2026 — 30 June 2026\n\n\nLocation\nLos Angeles\, California\, United States\n\n\nEvent Type\nArchitecture research exhibition\n\n\nAccess\nPublic exhibition access subject to venue entry policy\n\n\nFees\nTicket price not officially specified; standard museum admission rules may apply\n\n\n✦ ArchUp Editorial Insight\nThe research-backed architectural study of Core Samples 2026 demonstrates its findings through building material testing and construction material testing and documentation of building development procedures. The curatorial method helps design professionals understand how design choices develop through design testing and model creation and system testing. The exhibition provides limited value for market networking and construction research but establishes itself as an excellent research tool to study architectural design processes and building construction practices and the different development phases which lead to building completion.\n Critical Conclusion\nThe research-based architectural exhibition Core Samples 2026 presents a research-based architectural exhibition which shows architectural work through its processes and material research and experimental work. The research value of the project comes from its ability to show hidden architectural production processes while showing architecture as an ongoing academic field. The project provides minimal professional contacts and business opportunities yet it delivers important benefits for architectural education and design methodology research.\n Explore the Latest Architecture Exhibitions & Conferences\n\nArchUp offers daily updates on top global architectural exhibitions\, design conferences\, and professional art and design forums. Follow key architecture competitions\, check official results\, and stay informed through the latest architectural news worldwide. ArchUp is your encyclopedic hub for discovering events and design-driven opportunities across the globe.
URL:https://archup.net/event/core-samples/
LOCATION:UCLA AUD\, Perloff Hall\, Los Angeles\, CA\, -\, United States
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/avif:https://archup.net/wp-content/uploads/2026/02/fwk5rhowgz39hz0r.avif
ORGANIZER;CN="UCLA Architecture and Urban Design":MAILTO:admissions@aud.ucla.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260401T080000
DTEND;TZID=UTC:20260521T170000
DTSTAMP:20260415T182020
CREATED:20260401T083254Z
LAST-MODIFIED:20260401T083254Z
UID:10001381-1775030400-1779382800@archup.net
SUMMARY:Zak World of Façades Canada — Vancouver 2026
DESCRIPTION:Overview\nZak World of Façades Canada — Vancouver 2026 is the 218th edition of the Zak World of Façades international conference series on façade design and engineering\, organised by Zak Group\, an India-based events company headquartered in Chennai. The event takes place on 21 May 2026 at the Vancouver Convention Centre in Vancouver\, British Columbia\, Canada. It is a single-day\, invitation-only professional conference exclusively for architects\, consultants\, contractors\, developers\, and building industry specifiers. \nThe series has completed over 209 editions globally\, attracting more than 65\,000 delegates across events in over 30 countries. The Vancouver edition sits within a busy 2026 calendar that includes parallel editions in Rotterdam\, Manchester\, Limassol\, Lisbon\, Chennai\, Bangkok\, and others. For the Vancouver event\, the organiser lists the venue as Vancouver Convention Centre\, though an earlier third-party listing cited the Paradox Hotel at 1161 West Georgia Street. Attendees should confirm the venue directly with the organiser before travel. \nFormat and Concept\nThe Zak World of Façades format is a single-day symposium structured around expert keynote presentations and panel discussions\, divided into three to four sessions separated by networking break-out intervals. A compact exhibition area is set up in the networking zone\, where delegates can interact with product and solution sponsors showcasing the latest innovations in façade materials\, systems\, and technology. \nAttendance is by pre-qualification only. Complimentary seats are reserved exclusively for architects\, consultants\, contractors\, developers\, fabricators\, government officials\, and project management consultants. All registrations are subject to validation by the organiser. The event is designed to be time-efficient\, concentrating relevant industry knowledge and networking into a single structured day rather than a multi-day trade floor format. \nProgramme Focus\nThe programme brings together domain experts in façade design\, engineering\, procurement\, and execution to share perspectives on constructing high-performance\, safe\, sustainable\, and long-lasting building envelopes. International keynote speakers present iconic project case studies and new innovative concepts. Specific speaker names and session topics for the Vancouver 2026 edition have not yet been published; the detailed programme is typically released closer to the event date on the official website at facadescanada.com. \nBased on the format of previous Canadian editions\, typical session themes include high-performance curtain wall systems\, climate adaptation and building science applied to the building envelope\, façade engineering for complex geometries\, fire performance of façade assemblies\, adaptive reuse and heritage façade modernisation\, sustainable cladding materials\, and digital fabrication in façade delivery. \nAudience\nThe event is specifically designed for architects\, developers\, general contractors\, façade consultants\, façade contractors\, sustainability and ESD consultants\, fire consultants\, glass processors\, structural consultants\, cost consultants\, quantity surveyors\, project management consultants\, and related building specifiers. The pre-qualification policy ensures a high-quality delegate mix of active specifiers and decision-makers in the Canadian construction and architecture sector. \nEvent Details\n\n\n\nItem\nDetails\n\n\n\n\nEvent Name\nZak World of Façades Canada — Vancouver 2026\n\n\nEdition\n218th edition of the global series\n\n\nDate\n21 May 2026\n\n\nVenue\nVancouver Convention Centre\, Vancouver\, BC\, Canada (confirm with organiser before travel)\n\n\nFormat\nSingle-day invitation-only conference with exhibition networking area\n\n\nOrganiser\nZak Group\, Chennai\, India. Tel: +91 44-42959595. Website: zakworldoffacades.com\n\n\nAudience\nTrade professionals only — architects\, consultants\, contractors\, developers\, specifiers\n\n\nAdmission\nComplimentary for qualified professionals — subject to registration validation\n\n\nFrequency\nEvery two years for Vancouver specifically; other Canadian cities host annual editions\n\n\nContact\ninfo@zakgroup.com / facadescanada.com\n\n\n\n✦ ArchUp Editorial Insight\nZak World of Façades occupies an unusual position in the professional conference landscape: it is one of the very few event series that operates with genuine international scale (218 editions across 30-plus countries) while maintaining a highly focused disciplinary scope. Façade design and engineering sits at the intersection of architecture\, structural engineering\, materials science\, sustainability\, and building physics\, and the concentration of this knowledge in a single-day specialist format has proven consistently attractive to working professionals who cannot commit to multi-day general conferences. The pre-qualification policy is a meaningful differentiator: it ensures that the room is populated with active decision-makers rather than students or general public attendees\, which directly benefits exhibitors and sponsors and raises the quality of networking. The Vancouver edition’s focus on the Canadian West Coast market is relevant given British Columbia’s distinctive regulatory environment\, climate conditions\, and concentration of high-performance building projects. The specific programme for the 2026 Vancouver edition has not yet been published\, which is the primary limitation for advance assessment. Architects and engineers working on envelope specifications\, sustainable cladding selection\, or curtain wall systems in the Canadian market will find this a well-targeted one-day investment. \nConclusion\nZak World of Façades Canada — Vancouver 2026 is the 218th global edition of this specialist façade conference series\, taking place on 21 May 2026 in Vancouver. Admission is complimentary for qualified professionals subject to registration validation. Register and confirm venue details at facadescanada.com or contact info@zakgroup.com. \n\n 
URL:https://archup.net/event/zak-world-of-facades-canada-vancouver-2026/
LOCATION:Paradox Hotel\, Vancouver\, 1161 West Georgia Street Vancouver BC\, V6E OC6\, Vancouver\, Vancouver\, -\, Canada
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://archup.net/wp-content/uploads/2026/04/1920x990-van26.jpg
ORGANIZER;CN="Zak Group":MAILTO:info@zakgroup.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260406T080000
DTEND;TZID=UTC:20260518T170000
DTSTAMP:20260415T182020
CREATED:20260226T234929Z
LAST-MODIFIED:20260226T234929Z
UID:10001222-1775462400-1779123600@archup.net
SUMMARY:UB Summer Study Exhibition 2026
DESCRIPTION:Overview\nThe University at Buffalo School of Architecture and Planning in Buffalo New York presents the UB Summer Study Exhibition. The exhibition displays student design work from summer programs as part of the Spring 2026 Public Programs.\n Focus\nThe exhibition displays student work which students created in different locations throughout the United States and other countries including Buffalo New York and New York City and Costa Rica and Ireland and Japan and Spain. The study investigates three types of design research which include cross-cultural research and material research and environmental design research. ArchUp education coverage documents all student work which academic exhibitions show.\n Program\nThe event features an opening during UB’s Open Studio which shows drawings and guidebooks and postcards and mappings and digital fabrications. The works demonstrate how different experiences shape design thinking through their research activities and experimental work and their interactions with new situations. The ArchUp events section together with ArchUp architecture coverage both present similar academic showcases and exhibitions.\n Audience\nThe exhibition is designed to attract students faculty members architects and members of the public who want to learn about architectural education and worldwide design viewpoints.\n Event Details\n\n\nDates\nApril 6 – May 18 2026\n\n\nOpening\nWednesday\, April 8 2026\, 4:30 – 8:00 PM\n\n\nVenue\nCrosby Hall\, 1st Floor\, UB South Campus\, 280 Hayes Rd\, Buffalo\, NY 14214\, USA\n\n\nEvent type\nExhibition\n\n\nAccess\nIn person or via Zoom\n\n\nCurator\nMaia Peck\, Clinical Assistant Professor and Director of Exhibitions\n\n\nFees\nFree\n\n\n✦ ArchUp Editorial Insight\nThe UB Summer Study Exhibition 2026 presents a curated overview of student work which showcases their research across different cultures and environmental studies and material studies. The exhibition displays different architectural designs which show how architects develop their design process through their experiences with different building sites. The event demonstrates educational design processes through its documentation of drawings and mappings and digital fabrications which show how design processes develop through educational environments. The academic environment shows its worth through the demonstration of how scientists use their observations to create new research designs and develop their fundamental ideas of research.\n Closing Note\nThe exhibition documents diverse summer studio work which shows how students learn through their interactions with different cultures and environmental systems. The system generates a record of testing which operates independently of both commercial activities and professional demonstrations that occur at major events.\n\nExplore the Latest Architecture Exhibitions & Conferences\n\n\n\nArchUp offers daily updates on top global architectural exhibitions\, design conferences\, and professional art and design forums. Follow key architecture competitions\, check official results\, and stay informed through the latest architectural news worldwide. ArchUp is your encyclopedic hub for discovering events and design-driven opportunities across the globe.
URL:https://archup.net/event/ub-summer-study-exhibition-2026/
LOCATION:School of Architecture and Planning\, University at Buffalo\, South Campus Hayes Hall 250 Hayes Road Buffalo\, New York 14214-8030\, New York\, NY\, -\, United States
CATEGORIES:Exhibitions
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DTSTAMP:20260415T182020
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UID:10001313-1775462400-1779123600@archup.net
SUMMARY:What We Did Last Summer: UB School of Architecture and Planning Summer Study Exhibition 2026
DESCRIPTION:Overview\nThe University at Buffalo School of Architecture and Planning presents “What We Did Last Summer\,” a student work exhibition documenting the outcomes of UB’s summer study programs\, both domestic and international. The exhibition runs April 6 through May 18\, 2026\, in Crosby Hall on UB’s South Campus in Buffalo\, New York. An opening event takes place on April 8\, 2026\, with registration available online. \nThe exhibition gathers work produced across studios\, workshops\, and seminars held in multiple locations during the summer. Rather than a conventional student showcase\, it functions as a collective record of learning conducted outside the standard studio environment\, tracking how direct engagement with unfamiliar geographies\, climates\, materials\, and practices reshapes design thinking. \nFocus\nThe work on display spans drawings\, guidebooks\, postcards\, mappings\, and digital fabrications produced during summer programs across seven locations. Each program placed students in cultural and environmental contexts distinct from their home institution\, asking them to translate lived experience into design output. The exhibition positions this material not as polished final projects but as a process record: evidence of encounter with unfamiliar scale\, tradition\, climate\, and modes of practice. \nThe range of output formats is itself significant. Guidebooks and postcards alongside technical drawings and digital fabrications suggest that the programs encouraged diverse representational modes\, treating documentation and communication as design practices in their own right rather than secondary to built or drawn proposals. This reflects a pedagogical position aligned with contemporary architectural education’s broader engagement with field research and ethnographic methods. \nThese works offer a record of learning that extends beyond the typical studio or classroom setting\, demonstrating how exposure to diverse places and ways of working can expand design imagination\, critical reflection\, and our disciplinary perspectives.\nUB School of Architecture and Planning\, Exhibition Description\, 2026 \nProgram Locations\nThe exhibition brings together work from eight summer program locations\, spanning domestic and international contexts across different climatic\, cultural\, and urban conditions. \nBuffalo\, NY\nNew York City\nCosta Rica\nIreland / Scotland\nItaly\nSpain\nEurope (multi-site)\nJapan\nThe Ireland/Scotland program is directed by Kenneth Mackay. Full program director credits for the remaining locations were not listed in the exhibition documentation available at the time of writing. \nCuratorial Approach\nThe exhibition is curated by Maia Peck\, Clinical Assistant Professor and Director of Exhibitions at UB’s School of Architecture and Planning. Peck previously co-curated the “In Her Steps: Bethune Exhibition” (also on view at UB in Spring 2026)\, which documented 18 women architects across 20 years of the Bethune Lecture Series. Her curatorial practice at UB appears focused on making visible work that institutional formats\, lecture series\, studio reviews\, and summer programs produce but do not typically preserve or display for broader audiences. \nAudience\nThe exhibition is open to the public at Crosby Hall\, UB South Campus\, through May 18\, 2026. Its primary audience is the UB architecture and planning community\, though its location and six-week run make it accessible to local and visiting professionals interested in design education and field-based pedagogies. The mix of program locations and output formats gives it broader relevance for those tracking how North American architecture schools are structuring international and experiential learning. \nEvent Details\n\n\n\nOpening Event\nApril 8\, 2026 (registration required)\n\n\nExhibition Dates\nApril 6 – May 18\, 2026\n\n\nLocation\nCrosby Hall\, 1st Floor\, UB South Campus\, 280 Hayes Rd\, Buffalo\, NY 14214\n\n\nAdmission\nFree and open to the public (no admission fee listed)\n\n\nCurator\nMaia Peck\, Clinical Assistant Professor and Director of Exhibitions\, UB\n\n\nOrganizer\nUB School of Architecture and Planning\n\n\nProgram Locations\nBuffalo\, New York City\, Costa Rica\, Ireland/Scotland\, Italy\, Spain\, Europe\, Japan\n\n\nIreland/Scotland Director\nKenneth Mackay\n\n\n\n\n✦ ArchUp Editorial Insight\n“What We Did Last Summer” is a modest but structurally honest title for an exhibition that does something undervalued in architectural education: it treats the outputs of experiential learning as exhibition-worthy material rather than ephemera. The curatorial decision to show guidebooks\, postcards\, and mappings alongside drawings and digital fabrications acknowledges that different contexts produce different forms of design intelligence. The risk with multi-site exhibitions of this kind is curatorial diffusion\, where the breadth of locations becomes a catalogue rather than an argument. Whether Peck’s curation finds throughlines across the eight program sites or presents them as parallel but unconnected experiences is the question that would determine the exhibition’s intellectual coherence beyond its documentary value. \n\n\nClosing Note\nUB’s summer study programs span three continents and eight locations\, which is a significant institutional commitment to field-based learning. This exhibition is the public face of that commitment\, making visible what is otherwise internal to the school’s pedagogical calendar. Its six-week run at Crosby Hall gives it enough time to be encountered by audiences beyond the opening event\, which is not always the case for student work exhibitions at architecture schools.
URL:https://archup.net/event/what-we-did-last-summer-ub-school-of-architecture-and-planning-summer-study-exhibition-2026/
LOCATION:School of Architecture and Planning\, University at Buffalo\, South Campus Hayes Hall 250 Hayes Road Buffalo\, New York 14214-8030\, New York\, NY\, -\, United States
CATEGORIES:Exhibitions
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DTSTAMP:20260415T182020
CREATED:20260227T023032Z
LAST-MODIFIED:20260227T023032Z
UID:10001228-1776240000-1776358800@archup.net
SUMMARY:Architecture Matters 2026
DESCRIPTION:Overview\nThe architectural profession needs to improve its public understanding because people need to discover its significance through their everyday life experiences. The main event of the 2026 session which takes place at the House of Communication in Munich celebrates its tenth anniversary by studying how cities must adapt their design processes to handle unpredictable environmental conditions.\n Focus\nThe conference investigates various factors which include urban development resilience and geopolitical unrest and climate change impacts and population changes and artificial intelligence technology. The sessions demonstrate how architectural design and financial systems and political structures and development processes work together to solve current problems. ArchUp architecture coverage and ArchUp design coverage present relevant discussions about urban planning and design.\n Program\nThe two-day program includes keynote presentations from New York\, Milan\, Berlin\, and Munich\, focusing on productive moments for shaping uncertain futures. The Focus Sessions examine Finance\, AI\, Phase Zero\, Light Industrial\, Offices of the Future\, and Female Focus to study how various elements affect urban development diversity and resilience. The ArchUp events section contains records of similar events.\n Audience\nThe conference targets architects\, urban planners\, designers\, policy makers\, and industry professionals who want to learn about urban development strategies and resilience methods.\n Event Details\n\n\nDates\n15 – 16 April 2026\n\n\nVenue\nHouse of Communication\, Friedenstraße 24\, 81671 Munich\, Germany\n\n\nEvent type\nConference\n\n\nAccess\nIn person\n\n\nFees\nNot specified\n\n\nOrganizer\nplan A\n\n\n✦ ArchUp Editorial Insight\nThe conference examines how architectural design and urban planning respond to climate change and demographic shifts and geopolitical threats. The conference demonstrates how design and policy and financial systems and technological advancements interact through their study of urban planning which includes AI and needs to develop resilience and adaptability. The event enables architects to assess urban development methods which create shared public spaces through its focus on systemic decision-making processes and their impact on urban design outcomes. The organization achieves its purpose by uniting different professional viewpoints to develop effective methods for creating cities that can withstand future challenges.\n Closing Note\nThe conference examines how architectural design and urban development work during periods of uncertainty. The program requires organizations to develop strategic plans which need cooperation between different sectors instead of providing practical training through workshops or showing their products in commercial spaces.\n Explore the Latest Architecture Exhibitions & Conferences\n\nArchUp offers daily updates on top global architectural exhibitions\, design conferences\, and professional art and design forums. Follow key architecture competitions\, check official results\, and stay informed through the latest architectural news worldwide. ArchUp is your encyclopedic hub for discovering events and design-driven opportunities across the globe.
URL:https://archup.net/event/architecture-matters-2026/
LOCATION:House of Communication\, Friedenstraße 24\, 81671\, Munich\, Germany
CATEGORIES:Conferences
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DTEND;TZID=UTC:20260415T193000
DTSTAMP:20260415T182020
CREATED:20260324T180452Z
LAST-MODIFIED:20260324T180452Z
UID:10001321-1776276000-1776281400@archup.net
SUMMARY:Keller Easterling: The Mix is All 2026
DESCRIPTION:Overview\n\nThe School of Architecture and Planning at the University at Buffalo (UB) is hosting a public lecture by Keller Easterling as part of the Clarkson Chair Lecture series. The event takes place in Buffalo\, New York\, and belongs to the fields of architectural theory\, infrastructure design\, and urban systems thinking.\n \nFocus\n\nThe lecture\, titled The Mix is All\, challenges conventional design thinking rooted in Enlightenment-era logic\, singular solutions\, and monocultures. Easterling proposes alternative approaches that embrace entanglement\, impure coalitions\, and productive combinations of failure and error as design resources. She frames these ideas against the backdrop of the climate crisis\, inequality\, and concentrations of authoritarian power. \nThis connects to broader questions about how urban design frameworks are being rethought in response to systemic complexity rather than isolated problem-solving.\n \nProgram\n\nThe event is a single lecture open to the public. Easterling will draw on her research into infrastructure space\, land activism\, and design systems to argue that strength lies in difference and dissensus rather than consensus and uniformity. The lecture is also an AIA CES Registered session approved for 1.5 Learning Units. \nFor those interested in how infrastructure functions as a political and spatial medium\, ArchUp’s analysis of urban block typologies and city structure offers a grounding reference on how spatial decisions accumulate into systemic patterns.\n \n“Solutions are mistakes\, and ideologies are unreliable markers. The mix is all.” \n\nEasterling’s recent projects include ATTTNT\, a land reparations infrastructure initiative\, and earlier work exhibited at the Venice Architecture Biennale. Her thinking on infrastructure as a medium of governance\, developed in Extrastatecraft (2014)\, remains a key reference point for architects and urban theorists working at the intersection of space and power. \nFor a broader context on how design responds to urban complexity\, ArchUp’s coverage of sustainable urban planning and systemic city design provides a useful parallel framework.\n \nAudience\n\nThe lecture is open to the public and relevant to architects\, urban planners\, theorists\, and students engaged with infrastructure\, political space\, and design methodology. It qualifies for AIA continuing education credit.\n \nEvent Details\n\n\n\nDate\nApril 15\, 2026\n\n\nVenue\nSchool of Architecture and Planning\, Hayes Hall\, University at Buffalo\, Buffalo\, NY\n\n\nEvent Type\nPublic Lecture\n\n\nSeries\nClarkson Chair Lecture\n\n\nAccess\nIn-person\, registration required\n\n\nFees\nFree\n\n\nCEU Credits\n1.5 AIA Learning Units\n\n\n\n✦ ArchUp Editorial Insight\n\nEasterling’s argument against singular solutions and monocultures in design carries specific weight at this moment\, when the field is under pressure to produce clear\, scalable answers to climate and inequality. Her framing of errors and failures as information-rich resources challenges a deeply embedded assumption in architectural practice: that the goal is resolution. Positioning dissensus and entanglement as productive conditions rather than problems to be eliminated is a direct critique of how most design institutions train their students to think. The lecture’s inclusion in a continuing education programme suggests an attempt to bring this critique into professional practice\, though whether such ideas translate meaningfully beyond the lecture hall remains an open and unresolved question. Those following Easterling’s work will find a useful spatial counterpoint in ArchUp’s documentation of architectural projects navigating systemic and contextual complexity.\n \nClosing Note\n\nThe lecture sits within a growing body of academic work that questions design’s relationship to certainty and control. Its relevance extends to any practitioner working within systems too complex for singular resolution.
URL:https://archup.net/event/keller-easterling-the-mix-is-all-2026/
LOCATION:School of Architecture and Planning\, University at Buffalo\, South Campus Hayes Hall 250 Hayes Road Buffalo\, New York 14214-8030\, New York\, NY\, -\, United States
CATEGORIES:Conferences
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DTEND;TZID=UTC:20260415T200000
DTSTAMP:20260415T182020
CREATED:20260323T235816Z
LAST-MODIFIED:20260323T235816Z
UID:10001319-1776277800-1776283200@archup.net
SUMMARY:Against the Environmentalism of the Rich 2026
DESCRIPTION:Overview\nHarvard Graduate School of Design (GSD) is hosting a public lecture by philosopher and critical theorist Nancy Fraser as part of the Senior Loeb Scholar Lecture series. The event takes place at Piper Auditorium in Cambridge\, Massachusetts\, and belongs to the fields of environmental theory\, political philosophy\, and urban design discourse. \nFocus\nThe lecture critically examines dominant strands of environmentalism\, arguing that mainstream green agendas often serve the interests of wealthy individuals and institutions while leaving structural inequalities intact. Fraser positions environmental reform within a broader critique of capitalism and social justice\, asking who benefits from current sustainability frameworks and who bears their costs. \nThis connects directly to questions that sustainable design debates in architecture are increasingly being asked to confront\, particularly around who green building standards are actually designed for and at what social cost. \nProgram\nThe event is structured as a single lecture followed by open discussion\, hosted by GSD Dean Sarah M. Whiting. Fraser will draw on her recent work in critical social theory to challenge how environmental movements are shaped by class interest\, and what a more equitable environmentalism might look like in practice. \nFor those tracking how these ideas intersect with the built environment\, ArchUp’s coverage of sustainable urban design and its social dimensions offers useful context on how environmental priorities translate\, or fail to translate\, into equitable city-making. \n\n“The question is not whether we protect the environment. The question is who gets to define what that protection looks like\, and who pays for it.” \n\nAudience\nThe lecture is open to the public and available via livestream. It is relevant to architects\, urban planners\, designers\, theorists\, and anyone working at the intersection of environmental practice and social equity. \nEvent Details\n\n\n\n\n\n\n\n\n\n\nDate\nApril 15\, 2026\n\n\nTime\n6:30 – 8:00 PM EDT\n\n\nVenue\nPiper Auditorium\, Gund Hall\, Harvard GSD\, Cambridge\, MA\n\n\nEvent Type\nPublic Lecture\n\n\nSeries\nSenior Loeb Scholar Lecture\n\n\nAccess\nIn-person and Livestream\n\n\nFees\nFree\, registration required\n\n\n\n\n✦ ArchUp Editorial Insight\nBringing a critical social theorist into a design school lecture series is a significant programmatic signal. Fraser’s work challenges the assumption that green architecture and sustainable urbanism are inherently progressive\, pointing instead to how these fields can reproduce class privilege through high-cost certifications\, premium green developments\, and environmental policies that displace rather than include lower-income communities. For architecture as a discipline\, this raises uncomfortable questions about whether green building practice addresses structural inequality or merely aestheticises it. The lecture does not resolve these tensions\, but its positioning within an elite design institution adds a layer of irony that is worth sitting with critically. \nClosing Note\nThe lecture occupies a narrow but pointed space in current environmental and design discourse. Its relevance extends well beyond the academy to any practitioner making decisions about who sustainable design actually serves.
URL:https://archup.net/event/against-the-environmentalism-of-the-rich-2026/
LOCATION:Harvard University\, Piper Auditorium\, Harvard University\, 48 Quincy St\, MA\, United States
CATEGORIES:Conferences
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DTEND;TZID=UTC:20260419T170000
DTSTAMP:20260415T182020
CREATED:20260324T182559Z
LAST-MODIFIED:20260324T182559Z
UID:10001325-1776326400-1776618000@archup.net
SUMMARY:Kenya Homes Expo 2026
DESCRIPTION:Overview\n\nThe Kenya Homes Expo is a real estate trade exhibition held annually in Nairobi\, Kenya. Now in its 39th edition\, it takes place at the Kenyatta International Convention Centre (KICC) and positions itself as East and Central Africa’s largest home show. The event belongs to the fields of real estate\, construction\, interior design\, and housing development.\n \nFocus\n\nThe expo centers on connecting real estate stakeholders\, developers\, suppliers\, and the public within a single platform. It covers land sales\, residential developments\, construction materials\, interior décor\, landscaping\, sanitary ware\, financial services\, and agribusiness. The event targets both professional industry players and individual buyers looking to invest in property across the East and Central African region. \nFor context on how housing design is evolving across the African continent\, ArchUp’s coverage of the African House Design Competition reflects the growing conversation around locally grounded residential architecture and what it means to design homes that respond to specific African climates\, cultures\, and economies.\n \nProgram\n\nThe event spans four days across multiple floors of the KICC. Exhibitors include land owners\, real estate developers\, contractors\, landscape artists\, interior design companies\, insurers\, and financial institutions. The programme includes a discussion forum alongside the main exhibition\, providing space for industry dialogue beyond the trade floor. \nThose tracking how real estate and residential design intersect across the African region will find useful reference in ArchUp’s documentation of residential projects navigating local context and emerging construction models\, which maps how architectural practice responds to housing demand at varying scales.\n \n“East and Central Africa’s biggest homes show\, converging real estate stakeholders with potential and existing home owners under one roof.” \n\nThe expo is organised by HomesKenya Limited\, publisher of HomesKenya Magazine\, which has operated in the East African real estate and interior décor market for over 20 years. For a broader read on how housing typologies are shifting in response to urban growth and affordability pressures\, ArchUp’s analysis of Expo Habitat 2026 offers a useful parallel from another regional housing market.\n \nAudience\n\nThe expo is open to the general public and targets homeowners\, real estate investors\, property developers\, contractors\, interior designers\, and financial service providers operating across East and Central Africa.\n \nEvent Details\n\n\n\nDates\nApril 16 – 19\, 2026\n\n\nVenue\nKenyatta International Convention Centre (KICC)\, Nairobi\, Kenya\n\n\nEvent Type\nTrade Exhibition and Forum\n\n\nAccess\nOpen to the public\, a ticket is required\n\n\nFees\nPaid entry\, stand bookings available\n\n\n\n✦ ArchUp Editorial Insight\n\nThe Kenya Homes Expo operates within a regional real estate market that faces acute housing shortfalls\, rapid urbanisation\, and a growing middle class with increasing purchasing power. At 39 editions\, the event has a documented track record as a commercial platform\, though its framing remains predominantly transactional rather than design-led. The architectural and design content sits alongside financial products\, insurance\, and agribusiness in a format that reflects the practical realities of East African property markets more than it engages with the design quality of what gets built. This is not a weakness unique to this event\, but it raises a recurring question about trade expos in emerging housing markets: whether the volume of transactions they facilitate contributes to better-designed\, more sustainable residential environments\, or simply accelerates construction at whatever quality level the market currently accepts. The inclusion of a discussion forum suggests some awareness of this gap\, though the depth of that dialogue relative to the scale of the trade floor is worth scrutinising.\n \nClosing Note\n\nThe expo is a significant commercial event in the East African real estate calendar. Its scale and longevity reflect genuine market demand\, though its relevance to architectural discourse remains limited relative to its economic footprint.
URL:https://archup.net/event/kenya-homes-expo-2026/
LOCATION:Kenyatta International Convention Centre\, City Square\, along\, Harambee Ave\, Nairobi\, Kenya
CATEGORIES:Exhibitions
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DTSTART;TZID=UTC:20260416T183000
DTEND;TZID=UTC:20260416T200000
DTSTAMP:20260415T182020
CREATED:20260324T181921Z
LAST-MODIFIED:20260324T181921Z
UID:10001323-1776364200-1776369600@archup.net
SUMMARY:Michael Wang 2026
DESCRIPTION:Overview\n\nHarvard Graduate School of Design (GSD) is hosting a public lecture by artist Michael Wang as part of the ArtsThursdays university-wide initiative. The event takes place at Piper Auditorium in Cambridge\, Massachusetts\, and sits at the intersection of contemporary art\, ecology\, climate systems\, and the built environment.\n \nFocus\n\nWang’s practice uses systems operating at regional and planetary scales as artistic media. His work addresses climate change\, ecological loss\, resource extraction\, and the relationship between capital and the natural world. Rather than representing these issues\, his projects operate directly within the systems they examine\, making infrastructure\, geology\, and energy networks into material. \nThis approach connects to broader questions about how architecture and design engage with carbon and climate systems\, not just as constraints\, but as design territory in their own right.\n \nProgram\n\nThe event is a single public lecture. Wang will discuss a body of work that includes Extinct in the Wild\, which focuses on species existing only under human care\, and 10000 li\, 100 billion kilowatt-hours\, which used Shanghai’s electric grid to produce frozen replicas of Yangtze river glaciers. \nHis project\, the FirstForeste\, installed a Carboniferous-era forest inside a disused coal-gas plant\, and Carbon Copies linked the production of artworks directly to greenhouse gas emissions\, positioning all artists as what Wang calls “air artists.” These projects raise questions about authorship\, extraction\, and the ecological cost of cultural production that are directly relevant to architectural practice.\n \n“All artists are air artists. Every act of making releases something into the atmosphere.” \n\nFor those interested in how art and architecture intersect around ecological and urban themes\, ArchUp’s coverage of art practices engaging interstitial urban spaces and ecology offers a useful parallel on how creative work can operate within and against environmental systems. \nWang’s work has been exhibited at the Venice Architecture Biennale\, the Shanghai Biennale\, Manifesta 12\, and the Fondazione Prada. Those tracking how sustainable design confronts climate and resource challenges will find Wang’s practice a distinct counterpoint to conventional green architecture discourse.\n \nAudience\n\nThe lecture is open to the public and available via livestream. It is relevant to architects\, designers\, artists\, researchers\, and students engaged with ecology\, climate\, and the cultural dimensions of the built environment.\n \nEvent Details\n\n\n\nDate\nApril 16\, 2026\n\n\nTime\n6:30 – 8:00 PM EDT\n\n\nVenue\nPiper Auditorium\, Gund Hall\, Harvard GSD\, Cambridge\, MA\n\n\nEvent Type\nPublic Lecture\n\n\nSeries\nArtsThursdays\n\n\nAccess\nIn-person and Livestream\n\n\nFees\nFree\, registration required\n\n\n\n✦ ArchUp Editorial Insight\n\nWang’s practice occupies an unusual position in relation to architecture: it does not design buildings or spaces\, but it operates at the same scales and within the same material systems that architecture depends on. His use of glaciers\, power grids\, coal plants\, and endangered species as artistic media reframes the built environment not as a backdrop to ecological crisis but as one of its primary mechanisms. For a design school audience\, this raises a direct and uncomfortable question: if the act of building is itself an ecological act with measurable atmospheric consequences\, what distinguishes responsible design from what Wang calls “air art”? The lecture’s placement within an arts initiative rather than a strictly architectural programme is itself a signal that these questions do not yet have a settled home within design education.\n \nClosing Note\n\nThe lecture introduces a body of work that operates outside conventional design practice while remaining deeply relevant to it. Its positioning at a design school suggests a growing institutional interest in expanding what counts as architectural thinking.
URL:https://archup.net/event/michael-wang-2026/
LOCATION:Harvard University\, Piper Auditorium\, Harvard University\, 48 Quincy St\, MA\, United States
CATEGORIES:Conferences
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DTSTART;TZID=UTC:20260417T080000
DTEND;TZID=UTC:20260417T170000
DTSTAMP:20260415T182020
CREATED:20260227T230302Z
LAST-MODIFIED:20260227T230302Z
UID:10001232-1776412800-1776445200@archup.net
SUMMARY:DxD Block Party: Gin D. Wong Day 2026
DESCRIPTION:OverviewThe free community event known as The DxD Block Party: Gin D. Wong Day takes place at Santa Monica College which operates the Center for Media & Design. The event provides interactive activities for all age groups to showcase creative and innovative work in architecture\, design\, engineering and construction. FocusThe event enables students and community members to learn through interdisciplinary study while they interact with professionals from architecture design engineering and construction fields. The activities provide opportunities for research activities and guidance activities and hands-on practice activities which focus on design activities and building activities. ProgramVisitors to the event can engage in practical experiences while they explore display booths which various local businesses and educational institutions and community groups present. The schedule features mentoring sessions that include keynote speakers and free food for attendees. The event creates an opportunity for students and community members to connect with each other while they acquire new knowledge. AudienceThe event welcomes elementary and middle and high school students together with their families and teachers and design and construction experts and all community residents who want to learn about design and architecture. Event Details\n\n\nDate\nFriday\, April 17\, 2026\n\n\nTime\n9:00 AM – 2:00 PM\n\n\nVenue\nSanta Monica College – Center for Media & Design\, 1660 Stewart St\, Santa Monica\, CA 90404\, USA\n\n\nEvent Type\nCommunity Event / Workshop\n\n\nAccess\nFree\, open to all\n\n\nFees\nFree\n\n\nOrganizer\nArchitecture for Communities Los Angeles (ACLA)\n\n\n✦ ArchUp Editorial InsightThe DxD Block Party: Gin D. Wong Day 2026 presents a multidisciplinary approach to architectural education\, emphasizing practical engagement and community interaction. While the event facilitates exposure to professional practices and design thinking\, its focus on hands-on activities may favor breadth over depth in architectural exploration. The integration of mentorship and workshops offers insight into industry processes\, yet the informal structure limits critical discourse on design theory\, spatial analysis\, or urban implications. From an architectural perspective\, the event functions effectively as an introductory platform but does not substitute for rigorous academic or professional critique. Closing NoteDxD Block Party provides an inclusive\, hands-on experience\, fostering creativity\, professional engagement\, and community learning in architecture and design for students of all ages. Explore the Latest Architecture Exhibitions & ConferencesArchUp offers daily updates on top global architectural exhibitions\, design conferences\, and professional art and design forums. Follow key architecture competitions\, check official results\, and stay informed through the latest architectural news worldwide. ArchUp is your encyclopedic hub for discovering events and design-driven opportunities across the globe.
URL:https://archup.net/event/dxd-block-party-gin-d-wong-day-2026/
LOCATION:Santa Monica College\, 1660 Stewart St\, Santa Monica\, CA 90404\, Santa Monica\, CA\, -\, United States
CATEGORIES:Workshops
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ORGANIZER;CN="Santa Monica College":MAILTO:welcomecenter@smc.edu
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DTSTART;TZID=UTC:20260417T080000
DTEND;TZID=UTC:20260419T170000
DTSTAMP:20260415T182020
CREATED:20260227T222030Z
LAST-MODIFIED:20260227T222030Z
UID:10001231-1776412800-1776618000@archup.net
SUMMARY:D-arc BUILD Mumbai 2026
DESCRIPTION:OverviewD-arc BUILD is India’s leading exhibition which shows architectural designs and engineering building construction materials. The event designs top professionals from different countries who demonstrate innovative products and advanced technologies and current industry trends which are transforming construction and infrastructure development. D-arc BUILD serves as an essential industry platform which enables companies to display their products while fostering product development through knowledge sharing. What to Expect\n\nThe exhibition showcases products and services from top manufacturers and suppliers through its complete display. \n\n\nThe schedule includes informational conferences together with technical workshops. \n\n\nThe event provides multiple chances for attendees to network with both industry leaders and decision-making professionals. \n\n\nThe platform enables users to research upcoming trends together with innovative construction technology. \n\nAbout the EventD-arc BUILD serves as a distinctive showcase of design\, architecture\, building\, and construction technologies. The venue operates as a strategic platform which enables organizations to establish professional relationships\, form business partnerships\, build their brand\, and grow their operations in both domestic and foreign markets. The exhibition provides a one-stop destination for businesses seeking differentiation in a competitive market environment. The event features four focused arenas which cover more than 50 industry segments to create one of the most extensive construction exhibitions in the region. Event Highlights\n500+ Exhibitors\n150\,000+ Visitors\n80+ Industry Associations\n600+ Speakers\nEvent Details\n\n\nType\nExhibition\n\n\nDates\nApril 17–19\, 2026\n\n\nTime\n10:00 AM – 6:00 PM\n\n\nVenue\nBombay Exhibition Centre (Nesco)\, Goregaon\, Mumbai\, Maharashtra\, India\n\n\nOrganizer\nZion Exhibitions\n\n\nOfficial Website\nhttps://darcbuild.com/\n\n\nEntry Fees\nCheck official website for registration details\n\n\n✦ ArchUp Editorial InsightFrom its operational base in Mumbai the D-arc BUILD exhibition of 2026 presents itself as a major industrial showcase which displays architectural design together with all existing construction technologies and building materials and commercial distribution systems. The architectural design shows more interest in developing new products that serve different industry sectors instead of pursuing important design research. The primary structure of the conference system together with its workshops establishes an exchange platform for technical information\, but its main focus remains on the commercial systems which drive construction operations throughout the built environment. The event space establishes power to shape material usage patterns and buying practices\, yet its architectural value depends on its capacity to connect technical display spaces with environmental design elements and their effects on urban development over time. Closing NoteThe D-arc BUILD Mumbai 2026 event provides a complete platform which enables professionals to achieve their goals through innovation and teamwork while expanding their businesses in the current construction and infrastructure industry. Explore the Latest Architecture Exhibitions & ConferencesArchUp offers daily updates on top global architectural exhibitions\, design conferences\, and professional art and design forums. Follow key architecture competitions\, check official results\, and stay informed through the latest architectural news worldwide. ArchUp is your encyclopedic hub for discovering events and design-driven opportunities across the globe.
URL:https://archup.net/event/d-arc-build-mumbai-2026/
LOCATION:Nesco\, Bombay Exhibition Centre\, Goregaon\, Mumbai\, Maharashtra 400063\, India\, Maharashtra\, Maharashtra\, -\, India
CATEGORIES:Exhibitions
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DTSTART;TZID=UTC:20260420T080000
DTEND;TZID=UTC:20260421T170000
DTSTAMP:20260415T182020
CREATED:20260228T235844Z
LAST-MODIFIED:20260228T235844Z
UID:10001234-1776672000-1776790800@archup.net
SUMMARY:Transitioning Worlds – UCLA AUD Spring 2026
DESCRIPTION:OverviewTransitioning Worlds is a two-day conference hosted by UCLA Architecture and Urban Design (AUD) reflecting on global changes that shape architecture and design. The event runs April 20–21\, 2026\, and features sessions\, workshops\, and discussions focused on pedagogy\, practice\, and technology. FocusThe conference examines how architecture and design respond to rapid transformations in climate\, technology\, governance\, and urban life. It explores experimental practices\, evolving education models\, construction as an intellectual and material pursuit\, and the role of Los Angeles as a laboratory for urban futures. ProgramThe event spans two days. Day One includes thematic sessions on experimental practices\, architectural education\, construction\, and urban research in Los Angeles\, each with moderated Q&As and reflection periods. Day Two features a student session integrating insights from Day One and workshops to project future design directions. A closing reception concludes the conference. AudienceThe conference is designed for architects\, designers\, educators\, students\, and professionals interested in innovative architectural research and urban futures. Event Details\n\n\nDate\nApril 20–21\, 2026\n\n\nVenue\nUCLA Architecture and Urban Design\, Perloff Hall\n\n\nAddress\n365 Portola Plaza\, Los Angeles\, CA 90095\, USA\n\n\nEvent Type\nConference\n\n\nAccess\nOpen to registered attendees\n\n\nFees\nNot specified / check registration\n\n\nOrganizers\nUCLA Architecture and Urban Design\n\n\n✦ ArchUp Editorial InsightTransitioning Worlds at UCLA AUD 2026 critically examines architecture’s response to global and urban transformations\, situating Los Angeles as both case study and experimental ground. The conference effectively highlights pedagogical innovation and emerging construction methods\, yet its format emphasizes discussion over measurable design outcomes. While the integration of student workshops encourages speculative thinking\, the event risks privileging theoretical exploration above practical implementation or critical evaluation of spatial and material impacts. Architecturally\, the conference serves as a reflective platform for discourse on future practice but provides limited direct influence on built environment strategies. Closing NoteTransitioning Worlds positions design as a critical tool for engaging global change\, reflecting six decades of experimentation at UCLA AUD while exploring the future trajectory of architectural practice. Explore the Latest Architecture Exhibitions & ConferencesArchUp offers daily updates on top global architectural exhibitions\, design conferences\, and professional art and design forums. Follow key architecture competitions\, check official results\, and stay informed through the latest architectural news worldwide. ArchUp is your encyclopedic hub for discovering events and design-driven opportunities across the globe.
URL:https://archup.net/event/transitioning-worlds-ucla-aud-spring-2026/
LOCATION:UCLA AUD\, Perloff Hall\, Los Angeles\, CA\, -\, United States
CATEGORIES:Conferences
ATTACH;FMTTYPE=image/jpeg:https://archup.net/wp-content/uploads/2026/02/061124-ucla-aud-rumble-190-1200x630-crop-50-50.jpg
ORGANIZER;CN="UCLA Architecture and Urban Design":MAILTO:admissions@aud.ucla.edu
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BEGIN:VEVENT
DTSTART;TZID=UTC:20260420T080000
DTEND;TZID=UTC:20260726T170000
DTSTAMP:20260415T182020
CREATED:20260228T221643Z
LAST-MODIFIED:20260228T221643Z
UID:10001233-1776672000-1785085200@archup.net
SUMMARY:OBJECTILE ADVENTURES: THE FLOOR – Banham Fellow Exhibition 2026
DESCRIPTION:OverviewThe UB School of Architecture and Planning presents “OBJECTILE ADVENTURES: THE FLOOR” as part of its Spring 2026 Public Programs. The exhibition opening will take place on Monday\, April 20\, 2026\, at 5:00 PM in the Hayes Hall Atrium\, UB South Campus. The installation forms part of a public program series which presents scholarly research and architectural work through live presentations and exhibitions to explore current developments in architectural design and material science. ConceptThe installation introduces “Objectiles” — object-projectiles — discarded building materials that travel across time and space collecting new uses. Objectiles maintain their original function through physical changes which display all the different things they have experienced and tested. The current version of Objectiles demonstrates their ability to act as “floor” while they stop moving. Traditional construction systems use mass production methods to create floors which builders want to be unnoticeable through their flat and neutral appearance. However\, Objectiles refuse to maintain a position of neutrality. The floor design which assumes a flat surface will create another way for people to interact with the space through its slopes and hinges and ridges and points where it lifts or supports weight. Installation ExperienceThe Objectiled floor requires users to combine their negotiation abilities with their imaginative skills to traverse its surface. The installation shows visitors its irregular surface which consists of different materials and invites them to think about how materials undergo transformation and reuse throughout time. Users create new traces which become part of the Objectiles ongoing story that will continue to exist in upcoming times. The project tests a design method centered on reused building materials and storytelling\, exploring how narratives and aesthetic sensibilities can shift us away from a linear material economy toward more circular practices within design and construction culture. Research BackgroundThe installation developed by 2025–26 Banham Fellow Celia Chaussabel represents an ongoing research project which began in 2021. Previous explorations included graphic novels\, animations\, and video games tracing the trajectories of materials and the people and sites entangled in their movement. The research extends to architectural installation research through its investigation of how reused materials create different storytelling methods which transform architectural spaces through their design. Exhibition Details\n\n\nOpening Reception\nApril 20\, 2026 – 5:00 PM\n\n\nExhibition Dates\nApril 20 – July 26\, 2026\n\n\nGallery Hours\n9:00 AM – 4:30 PM\n\n\nLocation\nHayes Hall\, 1st Floor\, UB South Campus\, 250 Hayes Rd\, Buffalo\, NY 14214\, USA\n\n\nFormat\nIn-person and remote access via Zoom\n\n\nCurator\nCelia Chaussabel\, 2025–26 Banham Fellow\n\n\nEntry Fees\nFree\n\n\nOrganizer\nUB School of Architecture and Planning\n\n\n✦ ArchUp Editorial InsightThe documentary “OBJECTILE ADVENTURES: THE FLOOR” defines reuse through its application as a spatial design element and a method of storytelling. The installation challenges standard construction practices by its implementation of nontraditional flooring systems which disrupt the expected architectural design elements. The research demonstrates its value through its ability to create a complete functional space which people can use. The project design focuses on storytelling while it limits both environmental assessment methods and architectural development of new structural designs. The project presents itself as a design experiment that critiques traditional material usage through architectural design because it reuses materials in a way that connects to cultural traditions instead of standard construction methods. Final StatementThe installation of “OBJECTILE ADVENTURES: THE FLOOR” uses abandoned materials to create areas that communicate stories through their design which reflects memory and material history and the ongoing transformation of materials. Explore the Latest Architecture Exhibitions & ConferencesArchUp offers daily updates on top global architectural exhibitions\, design conferences\, and professional art and design forums. Follow key architecture competitions\, check official results\, and stay informed through the latest architectural news worldwide. ArchUp is your encyclopedic hub for discovering events and design-driven opportunities across the globe.
URL:https://archup.net/event/objectile-adventures-the-floor-banham-fellow-exhibition-2026/
LOCATION:Hayes Hall\, 1st Floor UB South Campus 250 Hayes Rd Buffalo\, NY 14214\, New York\, NY\, -\, United States
CATEGORIES:Exhibitions
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DTSTART;TZID=UTC:20260421T080000
DTEND;TZID=UTC:20260421T170000
DTSTAMP:20260415T182020
CREATED:20260301T004128Z
LAST-MODIFIED:20260301T004128Z
UID:10001240-1776758400-1776790800@archup.net
SUMMARY:Hidden Histories. Hearing Silences – UB Spring 2026
DESCRIPTION:OverviewHidden Histories. Hearing Silences is a lecture by María Novas Ferradás\, senior lecturer and researcher\, Chair of the History and Theory of Urban Design at ETH Zürich\, as part of the 2025–2026 Stratigakos Fellow Lecture series. The event explores overlooked narratives\, omissions\, and gaps in architectural history and theory\, critically examining how architectural knowledge is produced. Lecture FocusThe lecture interrogates the complexities of historical representation\, highlights the consequences of neglected histories within the built environment\, and examines the potential of ficto-critical approaches to rethink and reshape architectural histories. Event Details\n\n\nDate\nTuesday\, April 21\, 2026\n\n\nTime\n6:00 – 7:30 PM\n\n\nLocation\nCrosby Hall\, Room 116\, UB South Campus\, Buffalo\, NY 14214\n\n\nType\nLecture\n\n\nAdmission\nFree\, registration required\n\n\nOrganizers\nUB School of Architecture and Planning\n\n\nBiographyMaría Novas Ferradás is an architect and researcher specializing in the intersections of social and political history and cultural studies with the built environment. She is a senior lecturer and researcher at the Chair of History and Theory of Urban Design and Academic Editor of the gta papers at the Institute for the History and Theory of Architecture (gta) at ETH Zurich. Her PhD in Architecture from Universidad de Sevilla focuses on the contributions of women’s organizations and early female architecture graduates in the Netherlands to postwar housing design. She has published extensively on how feminist movements have shaped architecture and urban design\, including the book Arquitectura y género: una introducción posible (Melusina\, 2021)\, recognized at the 16th Spanish Architecture and Urbanism Biennial. Join the EventYou can attend the lecture in person at UB’s South Campus or remotely via Zoom. ✦ ArchUp Editorial InsightThe lecture “Hidden Histories. Hearing Silences” critically addresses omissions in architectural historiography\, emphasizing how power\, social structures\, and cultural biases shape knowledge production. By examining neglected narratives and employing ficto-critical methods\, the talk encourages reconsideration of canonical histories and their impact on the interpretation of the built environment. While primarily discursive\, it raises questions about how architecture education and practice might integrate overlooked contributions\, yet it does not offer concrete design interventions. From an architectural perspective\, the value lies in expanding critical awareness and historiographical reflexivity rather than generating immediate spatial or material outcomes.   Explore the Latest Architecture Exhibitions & ConferencesArchUp offers daily updates on top global architectural exhibitions\, design conferences\, and professional art and design forums. Follow key architecture competitions\, check official results\, and stay informed through the latest architectural news worldwide. ArchUp is your encyclopedic hub for discovering events and design-driven opportunities across the globe.
URL:https://archup.net/event/hidden-histories-hearing-silences-ub-spring-2026/
LOCATION:School of Architecture and Planning\, University at Buffalo\, South Campus Hayes Hall 250 Hayes Road Buffalo\, New York 14214-8030\, New York\, NY\, -\, United States
CATEGORIES:Conferences
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DTSTART;TZID=UTC:20260421T080000
DTEND;TZID=UTC:20260421T170000
DTSTAMP:20260415T182020
CREATED:20260326T024150Z
LAST-MODIFIED:20260326T024355Z
UID:10001329-1776758400-1776790800@archup.net
SUMMARY:María Novas Ferradás: Hidden Histories. Hearing Silences. 2026
DESCRIPTION:Overview\n\nThe School of Architecture and Planning at the University at Buffalo (UB) is hosting a public lecture by María Novas Ferradás as part of the Stratigakos Fellow Lecture series. The event takes place in Buffalo\, New York\, and belongs to the fields of architectural history\, theory\, and gender studies in the built environment.\n \nFocus\n\nThe lecture\, titled Hidden Histories. Hearing Silences.\, examines the omissions\, gaps\, and overlooked narratives in architectural history and theory. It critically interrogates how architectural knowledge is produced\, who gets included in the historical record\, and what the consequences of neglected histories are for the built environment today. Ferradás also explores ficto-critical approaches as a method for rethinking and reshaping architectural histories. \nThis connects directly to a wider conversation about who shapes architectural history and whose contributions get documented. ArchUp’s coverage of women in architecture and the fight for inclusivity in the profession provides a useful frame for understanding the structural conditions that produce the historical silences Ferradás is working to address.\n \nProgram\n\nThe event is a single public lecture. Ferradás will draw on her research into the contribution of women’s organisations and some of the first women architecture graduates in the Netherlands to postwar housing design\, examining how their work was recorded\, attributed\, or erased in the archive. Her case studies include the work of non-graduated architect Guus Schreuder-Gratama\, whose plans were preserved in municipal archives under a male engineer’s signature. \nThe lecture raises methodological questions about how historians access and interpret evidence when the record itself has been shaped by exclusion. For those interested in how gender has shaped architectural practice and education over time\, ArchUp’s analysis of gender dynamics in architectural practice offers a parallel lens on the profession’s ongoing struggle with representation and equity.\n \n“Architectural history is not a neutral record. It is a set of choices about what to preserve\, what to name\, and whose work counts.” \n\nThe lecture is approved for 1.5 AIA Learning Units. Those following the broader question of how feminist movements have shaped urban design will find additional grounding in ArchUp’s documentation of female-led architectural practices redefining the field\, which maps how women architects have built parallel histories outside the dominant canon.\n \nAudience\n\nThe lecture is open to the public and relevant to architects\, architectural historians\, researchers\, educators\, and students engaged with questions of history\, theory\, representation\, and gender in the built environment. It qualifies for AIA continuing education credit.\n \nEvent Details\n\n\n\nDate\nApril 21\, 2026\n\n\nDay\nTuesday\n\n\nVenue\nSchool of Architecture and Planning\, Hayes Hall\, University at Buffalo\, Buffalo\, NY\n\n\nEvent Type\nPublic Lecture\n\n\nSeries\nStratigakos Fellow Lecture\n\n\nAccess\nIn-person\, registration required\n\n\nFees\nFree\n\n\nCEU Credits\n1.5 AIA Learning Units\n\n\n\n✦ ArchUp Editorial Insight\n\nFerradás’s research performs the very act it theorises: recovering evidence of architectural contribution that was systematically obscured by professional gatekeeping and gendered archival practices. The case of Schreuder-Gratama\, whose work was filed under a male engineer’s name\, is not an isolated anomaly but a structural condition of how professional recognition operated in mid-twentieth century architecture. What makes this lecture particularly relevant to current practice is its methodological dimension: if the archive itself is unreliable\, then so is any historical account built on it\, including the canons that architecture schools continue to teach. Ficto-critical approaches\, which Ferradás draws on\, offer one way of working with incomplete evidence\, though their legitimacy within a discipline still largely oriented toward empirical documentation remains a contested space. The lecture’s placement within a Stratigakos fellowship\, dedicated precisely to uncovering hidden histories\, signals institutional recognition of this gap\, even if the mainstream curriculum has yet to fully absorb it.\n \nClosing Note\n\nThe lecture addresses a structural problem in how architectural knowledge is produced and preserved. Its relevance extends to any practitioner or educator working with historical material as the basis for understanding the present state of the field.
URL:https://archup.net/event/maria-novas-ferradas-hidden-histories-hearing-silences-2026/
LOCATION:School of Architecture and Planning\, University at Buffalo\, South Campus Hayes Hall 250 Hayes Road Buffalo\, New York 14214-8030\, New York\, NY\, -\, United States
CATEGORIES:Conferences
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DTSTART;TZID=UTC:20260421T080000
DTEND;TZID=UTC:20260421T170000
DTSTAMP:20260415T182020
CREATED:20260326T052237Z
LAST-MODIFIED:20260326T052237Z
UID:10001331-1776758400-1776790800@archup.net
SUMMARY:Designing Culture\, Designing Change: Architecture as a Catalyst for Collective Futures 2026
DESCRIPTION:Overview\n\nThe Melbourne School of Design (MSD) at the University of Melbourne is hosting a public keynote lecture by Kjetil Trædal Thorsen\, Founding Partner of Snøhetta\, as the opening event of the 2026 Dean’s Lecture Series. The event takes place in Melbourne\, Australia\, and belongs to the fields of architecture\, cultural design\, and public space.\n \nFocus\n\nThe lecture examines architecture and design as catalysts for cultural transformation and social sustainability. Thorsen will focus specifically on cultural precincts and performance spaces as built environments capable of shaping inclusive collective futures. The talk also addresses the evolving role of public art\, the relationship between landscape and architecture\, and speculative approaches to designing for cultural resilience. \nFor those following how cultural buildings define the relationship between architecture and public life\, ArchUp’s analysis of contemporary architectural practice and its social dimensions provides a useful frame for situating Thorsen’s argument within the broader discipline.\n \nProgram\n\nThe event is a single keynote lecture open to the public. Thorsen will draw on Snøhetta’s body of work in cultural and civic architecture to explore how design decisions at the scale of cultural precincts contribute to or undermine collective identity and social cohesion. \nThe lecture references the Glasshouse Theatre at the Queensland Performing Arts Centre\, currently under construction and due for completion in 2026\, as a case study in how performance architecture can integrate landscape\, public art\, and civic purpose. Those tracking how performing arts buildings function as urban anchors will find a useful parallel in ArchUp’s coverage of major civic and cultural architecture projects reshaping city centres.\n \n“Architecture is not just a backdrop to culture. It is one of the primary instruments through which culture is made and sustained.” \n\nThe lecture is part of the 2026 Dean’s Lecture Series at MSD\, which brings international practitioners to engage with students\, researchers\, and the public on questions central to the built environment. For context on how Snøhetta’s transdisciplinary approach positions architecture within a wider cultural and ecological framework\, ArchUp’s coverage of sustainable urban design and its cultural dimensions offers a relevant reference point.\n \nAudience\n\nThe lecture is open to the public and relevant to architects\, urban designers\, landscape architects\, cultural planners\, students\, and anyone engaged with the role of the built environment in shaping public and cultural life.\n \nEvent Details\n\n\n\nDate\nApril 21\, 2026\n\n\nTime\n7:00 PM\n\n\nVenue\nMelbourne School of Design\, Glyn Davis Building\, University of Melbourne\, Parkville\, Melbourne\, Australia\n\n\nEvent Type\nPublic Keynote Lecture\n\n\nSeries\n2026 Dean’s Lecture Series\n\n\nAccess\nOpen to the public\, registration required\n\n\nFees\nFree\n\n\n\n✦ ArchUp Editorial Insight\n\nThorsen’s framing of architecture as a catalyst for cultural transformation is a familiar premise in civic design discourse\, but its application to performance spaces and cultural precincts raises specific questions worth examining. Performance buildings are among the most expensive and politically loaded commissions in the public realm\, and their relationship to genuine inclusivity is often complicated by the cost of tickets\, the demographics of their actual audiences\, and their tendency to anchor gentrification rather than resist it. Snøhetta’s work is consistently cited for its public orientation and landscape integration\, but the lecture’s focus on “collective futures” invites scrutiny of whose futures are being designed and through what participatory processes. The Glasshouse Theatre at QPAC is an instructive case: a major institutional investment in a performing arts precinct within a rapidly transforming urban context. Whether that investment translates into the cultural resilience Thorsen describes\, or simply upgrades an existing cultural infrastructure for an existing audience\, is the underlying tension the lecture will need to address directly to move beyond aspiration.\n \nClosing Note\n\nThe lecture positions a major international practice within a local academic context\, using a current Australian project as a live reference point. Its relevance to practitioners working on civic and cultural commissions is direct and well-timed.
URL:https://archup.net/event/designing-culture-designing-change-architecture-as-a-catalyst-for-collective-futures-2026/
LOCATION:B117 Theatre\, Basement Level\, Glyn Davis Building\, University of Melbourne\, Parkville Campus\, The University of Melbourne Grattan Street\, Parkville Victoria 3010 Australia\, Melbourne\, Melbourne\, -\, Australia
CATEGORIES:Conferences
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DTSTART;TZID=UTC:20260422T080000
DTEND;TZID=UTC:20261018T170000
DTSTAMP:20260415T182020
CREATED:20260326T203127Z
LAST-MODIFIED:20260326T203127Z
UID:10001333-1776844800-1792342800@archup.net
SUMMARY:CONVIVIUM: Food Systems at the Limit 2026
DESCRIPTION:Overview\n\nThe Architekturmuseum der TUM (Architecture Museum of the Technical University of Munich) is presenting CONVIVIUM: Food Systems at the Limit\, a major exhibition exploring the spatial\, architectural\, and territorial dimensions of global food production. The exhibition opens on April 23\, 2026\, and runs through October 18\, 2026\, at the Pinakothek der Moderne in Munich\, Germany. It belongs to the fields of architecture\, landscape\, urban design\, and environmental research.\n \nFocus\n\nThe exhibition examines how the global food system operates as a spatial and infrastructural network\, and how it is approaching multiple simultaneous limits: ecological\, climatic\, political\, and economic. It investigates the built environments of food production\, from high-tech Dutch greenhouses and industrial dairy farms to aquaculture facilities\, grain silos\, and the contested territorial landscapes of soy production and deforestation. \nFor those tracking how architecture engages with agriculture and urban food systems\, ArchUp’s coverage of agritecture and the integration of food production into urban environments provides a useful frame for understanding the spatial stakes of what CONVIVIUM puts on display.\n \nProgram\n\nThe exhibition is structured across twelve thematic chapters\, each addressing a distinct aspect of contemporary food production. Topics include climate-controlled greenhouse technology in the Netherlands\, the global salmon and tomato industry\, industrial dairy farming\, Bavarian carp aquaculture\, the territorial footprint of animal feed production\, the destruction of Ukrainian grain infrastructure by war\, and the degradation of agricultural soils. \nAlongside the main exhibition\, the programme includes a two-day international symposium at the Vorhoelzer Forum at TUM on April 23 and 24\, 2026\, curator-led tours\, and a public kitchen installation called Sommerküche CONVIVIUM in the outdoor area of the Pinakothek der Moderne. The exhibition also features a multimedia installation by Hungarian artist Daniel Szalai examining the role of breeding bulls as carriers of genetic information\, and a graphic essay tracing the opaque supply chains of soy production to Europe. \nThe exhibition is accompanied by a comprehensive publication and was developed in conjunction with a series of master projects and seminars at TUM’s Chair of History of Architecture and Curatorial Practice. Those interested in how agricultural waste intersects with building materials and spatial design will find a relevant counterpoint in ArchUp’s analysis of recycling agricultural waste into building materials\, which maps the boundary between food systems and construction practice.\n \n“Hardly any country on earth can feed its population entirely from its own resources anymore.” \n\nThe curators are Andjelka Badnjar and Andres Lepik\, with cocurators Victor Muñoz Sanz and Sofia Nannini contributing to the segment on animal production. For context on how architecture and agriculture converge at the urban scale\, ArchUp’s documentation of Stefano Boeri Architetti’s vertical farm project at Bright Food in Shanghai offers a built example of the spatial and ecological tensions the exhibition addresses.\n \nAudience\n\nThe exhibition is open to the general public. It is relevant to architects\, landscape architects\, urban designers\, environmental researchers\, students\, and anyone engaged with the relationship between spatial design and food systems.\n \nEvent Details\n\n\n\nOpening\nApril 22\, 2026\, 7:00 PM\n\n\nExhibition Dates\nApril 23 – October 18\, 2026\n\n\nSymposium Dates\nApril 23 – 24\, 2026\n\n\nVenue\nPinakothek der Moderne\, Barer Strasse 40\, Munich\, Germany\n\n\nEvent Type\nExhibition\, Symposium\, Public Programme\n\n\nAccess\nOpen to the public\n\n\nFees\nStandard museum admission applies\n\n\n\n✦ ArchUp Editorial Insight\n\nCONVIVIUM is a rare example of an architecture museum exhibition that takes on a subject most design institutions treat as peripheral: the spatial infrastructure of food. By mapping dairy farms\, greenhouse complexes\, slaughterhouses\, grain corridors\, and soy territories as architectural and territorial objects\, the exhibition makes a case that the built environment of food production is both one of the largest spatial systems on earth and one of the least examined by the architecture profession. The twelve-chapter structure is ambitious and risks becoming encyclopedic rather than analytical\, but the thematic range is necessary given how interconnected the failures of the food system are. What is most significant here is the curatorial framing: food infrastructure is not presented as a separate domain from architecture but as a direct extension of it\, subject to the same questions of spatial justice\, ecological consequence\, and design responsibility. Whether the profession will absorb that argument beyond the exhibition walls is a different question entirely.\n \nClosing Note\n\nThe exhibition runs for six months and is supported by an extensive network of academic institutions and research partners. Its duration and depth position it as a significant contribution to current debates about architecture’s relationship to ecological systems and resource territories.
URL:https://archup.net/event/convivium-food-systems-at-the-limit-2026/
LOCATION:Architekturmuseum der TUM\, Pinakothek der Moderne\, Arcisstraße 21\, Munich\, Munich\, -\, Germany
CATEGORIES:Exhibitions
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ORGANIZER;CN="Architekturmuseum der TUM":MAILTO:am@architekturmuseum.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260422T180000
DTEND;TZID=UTC:20260422T193000
DTSTAMP:20260415T182020
CREATED:20260301T180817Z
LAST-MODIFIED:20260301T180817Z
UID:10001242-1776880800-1776886200@archup.net
SUMMARY:The Much-Maligned Contractor 2026
DESCRIPTION:OverviewThe UB School of Architecture and Planning presents The Much-Maligned Contractor\, a lecture by Mark Jarzombek\, Professor of the History and Theory of Architecture at MIT. The event explores the complex relationship between architects and contractors and its impact on contemporary and modernist practices. Attendees can join in person at UB’s South Campus or remotely via Zoom. FocusThe lecture examines the historical and current tensions between architectural design and construction execution. It considers how collaboration\, miscommunication\, and professional divides influence building outcomes\, architectural quality\, and innovation in modern and contemporary projects. ProgramMark Jarzombek will discuss case studies from modernist and contemporary architecture\, analyzing the roles of contractors and architects in shaping the built environment. The lecture will include examples illustrating how construction decisions can reinforce or undermine design intent and provoke discussion on bridging the divide between design and construction. AudienceThis lecture is open to students\, scholars\, architects\, and anyone interested in architecture\, construction\, and the collaborative processes that shape buildings. Event Details\n\n\nDate\nTime\nVenue\nAddress\nEvent Type\nAdmission\n\n\nWednesday\, April 22\, 2026\n6:00–7:30 PM\nHayes Hall – Room 403\nUB South Campus\, 250 Hayes Rd\, Buffalo\, NY 14214\nLecture\nFree (RSVP required)\n\n\n✦ ArchUp Editorial InsightThe lecture “The Much-Maligned Contractor 2026” investigates the interplay between architects and contractors\, emphasizing how collaboration and miscommunication shape design outcomes. By analyzing historical and contemporary case studies\, it highlights the material and procedural impacts of construction decisions on architectural intent. While the discussion enhances understanding of professional dynamics and quality control\, it remains primarily theoretical and does not propose specific design methodologies. From an architectural standpoint\, the lecture contributes to critical reflection on the integration of construction knowledge in practice\, underlining the importance of processual awareness without directly influencing spatial or formal design strategies. Closing NoteThis lecture highlights the often-overlooked role of contractors in shaping architectural outcomes\, fostering insight into collaborative practices in contemporary and historical contexts.   Explore the Latest Architecture Exhibitions & ConferencesArchUp offers daily updates on top global architectural exhibitions\, design conferences\, and professional art and design forums. Follow key architecture competitions\, check official results\, and stay informed through the latest architectural news worldwide. ArchUp is your encyclopedic hub for discovering events and design-driven opportunities across the globe.  
URL:https://archup.net/event/the-much-maligned-contractor-2026/
LOCATION:School of Architecture and Planning\, University at Buffalo\, South Campus Hayes Hall 250 Hayes Road Buffalo\, New York 14214-8030\, New York\, NY\, -\, United States
CATEGORIES:Conferences
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DTSTART;TZID=UTC:20260422T180000
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DTSTAMP:20260415T182020
CREATED:20260326T220420Z
LAST-MODIFIED:20260326T220420Z
UID:10001335-1776880800-1776886200@archup.net
SUMMARY:Mark Jarzombek: The Much-Maligned Contractor 2026
DESCRIPTION:Overview\n\nThe School of Architecture and Planning at the University at Buffalo (UB) is hosting a public lecture by Mark Jarzombek\, Professor of the History and Theory of Architecture at MIT. The event takes place in Buffalo\, New York\, and belongs to the fields of architectural history\, theory\, and the philosophy of professional practice.\n \nFocus\n\nThe lecture\, titled The Much-Maligned Contractor\, examines one of the most persistent and structurally embedded divides in the architecture profession: the separation between architect and contractor. Jarzombek traces this divide to its roots in Hellenistic philosophy and argues that it has shaped the discipline so deeply that it now determines specific outcomes in both modernist and contemporary practice. The talk does not take sides in this divide but seeks to map the fault line and understand its consequences. \nThis connects directly to questions that practitioners encounter daily on construction sites and in contract negotiations. ArchUp’s coverage of construction practice and the evolving roles of architects\, engineers\, and contractors provides a grounded reference point for understanding the professional tensions Jarzombek is theorising.\n \nProgram\n\nThe event is a single public lecture running 90 minutes. Jarzombek will draw on his recent book Architecture Constructed: Notes on a Discipline (Bloomsbury\, 2023)\, which studies the frictions between architect and contractor within the context of Eurocentrism\, as well as his broader research into the philosophical underpinnings of architectural practice. \nThe lecture raises a question that sits at the heart of how architecture is taught and practiced: if the architect-contractor divide is a philosophical construct rather than a practical necessity\, what does that mean for how responsibility\, authorship\, and risk are distributed on building projects? For those tracking how the construction process shapes architectural outcomes\, ArchUp’s documentation of the stages of architectural design and the role of contractors in the building process offers a useful practical frame around Jarzombek’s theoretical argument.\n \n“There is nothing that better defines the discipline of architecture than the architecture-contractor divide.” \n\nJarzombek is also the co-author of A Global History of Architecture (Wiley\, 2006) and co-founder of the Office of (Un)certainty Research\, whose projects have been exhibited at the Venice Architecture Biennale in 2022 and 2025. Those interested in how professional privilege shapes architectural access will find a relevant parallel in ArchUp’s analysis of architecture as a profession of the privileged\, which interrogates the structural conditions that define who enters and shapes the discipline.\n \nAudience\n\nThe lecture is open to the public and relevant to architects\, historians\, theorists\, students\, and practitioners engaged with the professional\, philosophical\, and contractual structures that organise architectural practice. It qualifies for AIA continuing education credit.\n \nEvent Details\n\n\n\nDate\nApril 22\, 2026\n\n\nTime\n6:00 – 7:30 PM\n\n\nVenue\nHayes Hall\, Room 403\, School of Architecture and Planning\, University at Buffalo\, Buffalo\, NY\n\n\nEvent Type\nPublic Lecture\n\n\nAccess\nIn-person\, registration required\n\n\nFees\nFree\n\n\nCEU Credits\n1.5 AIA Learning Units\n\n\n\n✦ ArchUp Editorial Insight\n\nJarzombek’s choice to interrogate the architect-contractor divide as a philosophical inheritance rather than a practical arrangement is a productive provocation. Most practitioners experience this divide as an operational reality: the architect designs\, the contractor builds\, and the tensions between them are managed through contracts\, site visits\, and RFIs. What Jarzombek proposes is that this operational reality is itself a cultural construct\, one with roots in Hellenistic ideas about intellectual versus manual labour\, and that it carries ideological weight that the profession has largely failed to examine. This matters because the divide does not distribute responsibility neutrally. It tends to insulate the architect from accountability for buildability\, cost\, and site conditions while concentrating cultural authority in the design process. Whether tracing this to Hellenistic philosophy changes how practitioners negotiate contracts or manage site relationships is a different question\, but the lecture’s value lies precisely in making the invisible architecture of the profession visible. For a discipline that prides itself on critical thinking about space\, it has been remarkably uncritical about the structural assumptions of its own practice.\n \nClosing Note\n\nThe lecture addresses a structural assumption so embedded in architectural practice that it is rarely examined directly. Its relevance extends to anyone working within or teaching the professional structures of the discipline.
URL:https://archup.net/event/mark-jarzombek-the-much-maligned-contractor-2026/
LOCATION:School of Architecture and Planning\, University at Buffalo\, South Campus Hayes Hall 250 Hayes Road Buffalo\, New York 14214-8030\, New York\, NY\, -\, United States
CATEGORIES:Conferences
ATTACH;FMTTYPE=image/jpeg:https://archup.net/wp-content/uploads/2026/03/1766073521786-1.jpg
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