On the roster of designers is the mid-century-leaning New York interior designer Michelle Gerson, who, pushing a post-pandemic rebirth theme, has strung out the Welles’ cuboctahedron modules like May blossom on a branch; Kelly Hoppen, who has created an elegant, linear cluster of the Welles components, cast in white clay and connected with satin brass; David Rockwell, whose studio has developed a floating fixture that resembles a cluster of wet grapes – the cuboctahedrons here are produced in dark and clear glass of varying sizes that coalesce organically; and Parisian interior designer Sybille de Margerie, who has played with light and shadow in her arrangement of the elements, using padded leather on certain facets to cleverly sculpt the assembly.
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