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Weedwhacker Chemical Backpack Sprayer
WEEDWHACKERChemical Backpack Sprayer An ergonomic chemical backpack sprayer designed to take as much stress off of the lower back and shoulders as possible. The backpack is equipped with shoulder straps, a chest strap, and a waist belt, along with removable shoulder blade pads and a lumbar support pad. As for the shell, the white areas are a…
THE SANDWICH CLUB
Welcome sandwich lovers! The Club Sandwich is not a secret club, it is for everyone.A meeting with friends or an outing to the park to take a break and enjoy.The graphic communication is literally represented by “a sandwich club” with the company of patterns that simulate a picnic tablecloth, giving a feeling of fraternity and fun.Considering…
Design House Stockholm / Retail Concept
In 2013 Design House Stockholm made a strategic decision to redesign their display units and retail concept, adapting it more to a department store environment. Design House Stockholm works as a publisher for ideas, branding wise we felt it was important to focus on each products unique idea rather than the collection as a whole. Based on…
Curtain wall
For the defensive partitions round castles and cities, see Curtain wall (fortification). Outer non-structural partitions of a constructing A constructing challenge in Wuhan China, visibly demonstrating the connection between the interior load-bearing construction and an exterior glass curtain wall Curtain…
Architectural illustrations
Client: Rosewood Hotel HKAgency: Peter Millard & Partnerarchitectural illustrations//////////////////////The Shard – arch: Renzo PianoWangjing Soho – arch: Zaha HadidSky Soho – arch: Zaha HadidReichstag (couple) – arch: Norman FosterLotus Temple – arch: Fariborz SahbaGuggenheim museum (bilbao) – arch: Frank GehryDallas Bridge – arch: Santiago CalatravaBird's nest stadium – arch: Herzog & de MeuronAbsolute Towers – arch: Mad Architects
Identification without limits, everything is possible
Oskar Hansen and his Open Form which inspired the Centre’s architect. According to the Open Form theory, the artist does not produce a finite work of art when creating an artistic artefact, but rather creates a possibility of contextualisation and interpretation. We propose a living visual identification which interacts with its viewers and responds with…