Archi Icon – Oscar Niemeyer
No architect ever matched Niemeyer’s free-flowing design, seeming to float above the ground. No artificial, straight lines or right angles, but sensual curves inspired by the Brazilian mountains and free-flowing rivers, waves, and female forms.
From the 1940s, Oscar Niemeyer’s stunning constructions gave the country, and Brasília in particular, a modern, visual voice.
If this Carioca enthusiasm for life, made of women, parties, and jokes, was the driving force behind his work, the discipline came from Le Corbusier’s five principles, adapted to Brazil’s benign climate: accepting and respecting all the other schools, from Mies to Gaudì, Niemeyer transformed Les Corbusier’s scheme, standing out for incredible exploitation of free forms, linked to his roots and his country of origin.
Niterói Contemporary Art Museum – Brazil
Rising from a water basin, on a cliffside above Guanabara bay, the Niteròi Contemporary Art Museum is an elegant, curvy structure that creates a sense of lightness, allowing panoramic views of Rio De Janeiro and the Sugar-Loaf mountain. Accessed via a swirling, red-carpeted ramp, the UFO-like structure was intended to emerge from the ground like a flower, with a single cylindrical base that supports the entire building.
National Congress Building – Brazil
In 1956, the newly appointed Brazilian president Kubitschek asked his friend Oscar Niemeyer to literally build a new, more centrally located capital for his country. The architect was joined by Lùcio Costa to devise the city plan, and four years later Brasília was inaugurated. Together with its governmental Plaza of the Three Powers, that would become a guiding light of modernist ideals.
The National Congress complex reflects the influence of Le Corbusier while giving space to Niemeyer’s futuristic shapes. Rising above the flat roof, two domes host the assembly chambers of the Brazilian legislature.
Cathedral of Brasília – Brazil
A striking, crown-like shape, whose exterior is dominated by 16 identical concrete columns that curve inwards. Therefore, giving the structure an hourglass shape, or, more probably. The Cathedral of Brasília’s impressive aspect represents two hands holding a glass roof towards the sky.
Oscar Niemeyer Museum – Brazil
Built by and for himself, the Oscar Niemeyer Museum represents both national and international artists, including Niemeyer of course, but it is the playful exterior to position itself as the main attraction of the museum: dubbed as ‘the eye’, for its sinuous forms, the lines might as well be evoking the contour of a hip, a thigh or a female breast.
Oscar Niemeyer International Cultural Center – Spain
Oscar Niemeyer’s last work is what the architect himself has called the most important of his European designs. A gateway to the best of the world’s culture, in all its forms, the Niemeyer cultural center consists of different yet complementary areas and sculptural shapes where his free-flowing and optimistic sign is easily recognizable.
Moreover, located in the estuary of Avilés, with its size and bright colors. The Niemeyer center represents the architect’s highest point of effort to transform architecture into a piece of art.
Finally, more on Archup:
Call for Submissions from the Istanbul Design Biennial: “Designing Resilience”
Health & Environmental Resilience and Livability in Cities (HERL) – The challenge of climate change
