Manuel Rosner’s Pink Pavilion makes a case for digital display
Manuel Rosner’s Pink Pavilion makes a case for digital display,
In Berlin, the sixth edition of the Biennale welcomes digital engineer Manuel Rösner
and his delicate pink pavilion called New Float.
As it is a digital exhibition space located in Berlin without a physical presence, however,
The coordinates of the Cultural Forum can be geolocated next to Potsdamer Platz.
Manuel Rosner says that the Pink Pavilion is located next to the new National Gallery of Mies van der Rohe.
The Hans Scharoun Orchestra and the German National Library.
Interestingly, Manuel Rosner chose the building site plot for the Herzog & de Meuron 20th Century Museum.
It was a conscious decision he took on his part.
He stated that “the building is supposed to cost more than 450 million euros
and is under severe criticism because of its environmental impact.
By choosing this particular location,
we are taking advantage of vacant space that will not be accessible until completion of construction in 2026.
Manuel Rosner wants to highlight how important it is to create digital spaces for a modern digital society
And clarifying the possibilities of digital spaces and the lack of focus on digital in traditional institutions.
While waiting for the new 20th Century Museum, viewers can enjoy what New Float has in store for them
By walking around the online digital exhibition space during the Biennale.
The new float takes its design cues from artistic masterpieces
For New Float, Manuel Rosner was inspired by many concepts from architectural masterpieces,
Including the New National Gallery in Berlin.
In fact, the pillow pink architecture consists of three pillows, each with a distinct function.
The entrance hall at the front includes a lobby, a library, a library and a conceptual restaurant called SPACE BAR.
The second cushion is used in temporary projects,
and is often a space that Manuel Rosner employs to create his new spatial
experiences in an experimental way.
In the third pad, viewers will find selected works from the New Float Collection.
At The Wrong Biennale in Berlin,
The delicate pink pavilion hosts Clusterduck’s latest digital project Deep Fried Feels,
Which delves into processing information trauma, language, and loss of identity.
This exhibition is curated by Manuel Rosner himself,
and looks at the present, future and past of online communication.
Including memes as a form of communication and the use of metaverses,
Generative artificial intelligence, and space intelligence in modern communications and conversations.
Hosting digital exhibitions inside the delicate pink pavilion
Manuel Rosner envisions a dynamic architecture for the new float.
While physical museums are built to stand the test of time,
The digital display space, like its pink pavilion, updates about 60 times per second on each visitor’s device.
New Float takes advantage of this condition by maintaining its flexibility
as all its spaces can be modified or new ones can be added.
The collection design responds to each artwork,
and even the walls can bring different artworks together or separate them from others.
Earlier this year, Manuel Rosner opened the doors to New Float
In front of virtual visitors to his exhibitions, “The world is not enough and I wrote this scenario.”
The first presented a selection of photos, videos and 3D objects from the collection,
While the last gallery showed Manuel Rosner’s conversation with ChatGPT to create the working group.
These days, virtual visitors can vibrate through Clusterduck’s Deep Fried Feels
When they visit New Float online.
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