Aerial view of Edifício Miró Tower in Buenópolis, Minas Gerais, showcasing its curved glass facade and integration with surrounding forested terrain.

Duplex Typology: Edifício Miró Tower in Minas Gerais

Home » Projects » Duplex Typology: Edifício Miró Tower in Minas Gerais

Edifício Miró Tower introduces a duplex typology in the municipality of Buenópolis, Minas Gerais, drawing on rural architectural traditions in response to urban density. Located in the Curimataí district, the project employs a curved façade and internal mezzanines to frame views of Vale do Sereno, rethinking vertical residential space. This approach may serve as inspiration for future developments in Brazil’s interior regions.

Entrance to Edifício Miró Tower featuring sculptural canopy above duplex typology units, with landscaped walkway and palm trees.
The tower’s base features a cantilevered white volume that shelters the entry plaza, blending landscape and structure. Palm trees and paved walkways frame the transition from street to building. (Image © Jomar Bragança)

Design Concept Rooted in Regional Memory

Edifício Miró Tower introduces a duplex typology in the municipality of Buenópolis, Minas Gerais, drawing on rural architectural traditions in response to urban density. Located in the Curimataí district, the project employs a curved façade and internal mezzanines to frame views of Vale do Sereno, rethinking vertical residential space. This approach may serve as inspiration for future developments in Brazil’s interior regions.

Edifício Miró Tower rising above Buenópolis skyline, its wavy facade reflecting the duplex typology’s vertical rhythm amid greenery.
The tower’s sculptural form stands out against the cityscape, integrating vertical rhythm with landscape. Its base extends into a terraced pool area nestled among trees. (Image © Jomar Bragança)

Materials and Structural Rationality

The structure uses reinforced concrete frames with large glass panels. These maximize daylight and views while maintaining efficiency. Core drilling and service integration were carefully managed during construction. This avoided compromising load-bearing elements a common issue in complex residential buildings. The curved façade required precise formwork. It shows how building materials like concrete serve both function and form . Proportion, light, and spatial rhythm define the building’s character within Minas Gerais’ urban growth.

Rooftop pool area of Edifício Miró Tower, where duplex typology units open to terraced leisure zones overlooking the city.
The cantilevered pool deck extends from the tower’s curved mass, offering shaded lounging zones framed by glass railings. The reflection of surrounding buildings on the facade highlights its integration into the urban fabric. (Image © Jomar Bragança)

Landscape Integration Over Ornamental Sustainability

The project lacks formal green certifications. Yet its orientation and natural ventilation reduce reliance on artificial climate control. Units minimize solar heat gain while encouraging cross-breezes. This passive strategy aligns with regional practices more than imported sustainability metrics. The small ground footprint preserves the terrain. This maintains visual and ecological continuity with the surroundings. Such restraint contrasts with large developments covered in cities reporting.

Close-up aerial view of Edifício Miró Tower’s facade, highlighting its wavy white bands against dark glass panels and reflecting the surrounding urban skyline.
The rhythmic horizontal bands wrap around the tower’s cylindrical form, creating visual contrast with the reflective glazing. The facade mirrors nearby buildings, integrating the structure into its context without mimicking it. (Image © Jomar Bragança)

Urban Impact and Regional Precedent

Buenópolis is experiencing gradual urban expansion. The tower offers a locally rooted alternative to coastal housing models. It questions the need for flat, repetitive units in mid rise buildings. According to the architect, spatial generosity can coexist with density. This works best when guided by terrain and memory. The project includes no communal facilities beyond standard amenities. Still, its formal departure may inspire similar experiments. Those interested can explore related design competition briefs challenging housing norms. As Minas Gerais urbanizes, a key question emerges: can vertical living retain rural domestic qualities without becoming exclusive?

The tower was completed in December 2025. No demolition or expansion plans have been announced. Studio Henrique Hoffman says lessons from Miró inform new regional proposals. Readers can follow updates via news. Related analysis appears in the editorial section. Technical studies on vertical typologies are available in research. Professionals can track opportunities on the jobs portal. Enthusiasts may discover related installations at global events.

Rooftop pool terrace at Edifício Miró Tower with lounge chairs, palm trees, and panoramic views of Buenópolis skyline under a bright sky.
The terrace combines leisure furniture with native vegetation, offering residents a semi-private oasis above the city. Glass railings maintain sightlines to distant hills while ensuring safety. (Image © Jomar Bragança)

Architectural Snapshot: A 12 story residential tower in Minas Gerais featuring duplex units with internal mezzanines, a curved façade oriented toward Vale do Sereno, and spatial strategies drawn from regional vernacular traditions.

Outdoor kitchen counter overlooking the pool terrace at Edifício Miró Tower, with green umbrellas, palm trees, and distant city skyline under a bright sky.
The foreground features a functional outdoor kitchen with a stainless steel sink, framing the leisure zone beyond. The composition balances utility and relaxation, with vegetation softening the transition between built and natural elements. (Image © Jomar Bragança)

ArchUp Editorial Insight


Edifício Miró Tower translates rural spatial nostalgia into a vertical residential format, embedding Minas Gerais’ architectural memory within duplex units and curved glazing. The narrative leans heavily on childhood recollection rather than socio-spatial analysis, risking aestheticization over accessibility. While its orientation to Vale do Sereno demonstrates genuine terrain response, the project avoids addressing density’s social dimensions. One merit lies in its formal restraint eschewing ornament for spatial clarity centered on the duplex typology. Whether this typology evolves beyond premium housing or fades as regional branding remains an open question.

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