The Grand Ring’s Timber from Expo Osaka Finds New Life in Suzu’s Architecture

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A Monument of Wood and Design

As Expo Osaka comes to a close, attention turns to one of its most striking architectural landmarks the Grand Ring, a monumental wooden structure encircling the entire exposition site and recognized as the largest timber construction in the world. Rising nearly 20 meters high and stretching over three kilometers in diameter, it stands as a remarkable experiment in large scale wood architecture.

Ground-level view showing visitors walking beneath the massive wooden arch of the Grand Ring, interacting with its spatial scale.
The image illustrates how timber transcends its structural role, shaping a spatial experience that connects people with architecture.

An Exploration of Material and Form

Built primarily from Japanese cedar and cypress, along with European pine, the Grand Ring was more than an exhibition pavilion it was an architectural exploration of wood as a structural language. Its sweeping circular form unified exhibition spaces and open plazas, embodying harmony between nature and the built environment.

Side view of the Grand Ring highlighting the rhythmic repetition of wooden segments forming the circular framework.
The rhythmic alignment of timber beams emphasizes visual harmony and collective continuity within the open spatial ring.

From Temporary Landmark to Lasting Architecture

Following the event, the vast quantity of timber used in the Ring will not go to waste. Instead, it will be repurposed in new architectural projects in the city of Suzu, in northern Japan. There, the material will serve as a foundation for public housing developments, symbolizing a shift from temporary architecture to sustainable, community based construction. The same timber that once defined a global exposition will soon form permanent structures, carrying forward Japan’s deep tradition of craftsmanship and renewal through architecture.

Close-up view of the Grand Ring’s timber joints, revealing the precision and craftsmanship behind its wooden assembly.
This detail shot captures the revival of natural materials in architecture through the precise and expressive use of timber.

Preservation as Urban Memory

A portion of the original ring will remain on-site, transformed into a public park where visitors can walk through and experience the preserved timber elements. This continuity between preservation and reuse reflects Japan’s growing architectural ethos turning temporary exhibition spaces into enduring urban landscapes that extend the life of their materials and ideas..

A Symbol of Sustainable Rebirth

In this transformation, the Grand Ring evolves from a temporary landmark into a symbol of architectural recycling and sustainable design, proving that wood, once shaped and assembled, can continue to tell new stories through every reconstruction.

The world’s largest wooden ring structure at Expo Osaka, showcasing intricate joinery and cross-laminated timber connections.
An aerial view of the Grand Ring reveals the elegant geometry of timber beams, blending structural lightness with visual warmth.

✦ ArchUp Editorial Insight

The article explores the Grand Ring as a large scale architectural study in timber construction. The visuals reveal a circular composition where natural wood defines layered open spaces and structural continuity. While the project demonstrates material mastery and technical precision, its temporary nature raises questions about long-term sustainability and contextual permanence. Still, the architectural gesture reimagines wood as both a structural and cultural medium. It extends the material’s story beyond the exhibition, turning it into a living example of sustainable architectural reuse.

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