The Debut Collection From Studio Hanrahan Melds Ancient Forms and Contemporary Aesthetics

A Look Back at Ryan Hanrahan’s Evolution

One of the best things about Sight Unseen turning 15 this year is having an archive at our fingertips by which to chart the growth of certain artists who have captured our interest over the years. Take Ryan Hanrahan, an Australian designer whose work we first published more than a decade ago. Hanrahan has been involved in several different ventures since then, including Addition Studios, a ritual-focused wellness brand he sold at the tail end of COVID. But looking at each one — particularly in the context of Text the Sun, the first collection he’s releasing under his new studio name, Studio Hanrahan — you see the obvious through lines: the geometric shapes, the love for elemental materials such as marble and metal, the melding of ancient forms and contemporary aesthetics, an abiding interest in waterjet–cut perforations.

Text the Sun—A Recalibration of Interests

Hanrahan calls Text the Sun “a playful recalibration” of those interests, and the results are lovely. The collection showcases a blend of ancient and modern design principles, highlighted by the intricate use of geometric forms and natural materials.

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Notable Pieces in the Collection

Among the standouts in the debut collection are several pieces that perfectly encapsulate Hanrahan’s signature style:

• Galaxy Coffee Table: With Lego-like modularity, the coffee table’s perforated legs can be oriented in various ways, offering a playful element of customizability.
• Pyramid Lamp: This piece features granite layers separated by clear perspex tubes, creating the illusion that the lamp floats while it glows.
• Eclipse Coffee Table: A sophisticated design, this table features a smoked glass top resting on asymmetrically carved cylinders, blending elegance with a subtle edge.
• Metal Lamps: A series of lamps inspired by awkward laser-cut shapes, providing a unique and artistic finish to the collection.

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