AlMusalla Pavilion Reinstalled in Bukhara for a New Biennial Edition

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An Architectural Journey Across Borders

After standing as a prominent feature in Jeddah, the AlMusalla Pavilion has traveled to Bukhara, where it has been reassembled for the city’s inaugural biennial. The move highlights the concept of mobile architecture, showcasing how structures can adapt to new environments without losing their original identity.

The AlMusalla Pavilion at night in Bukhara, glowing warmly with vertical woven panels of date palm fibers. Silhouettes of visitors gather inside, framed by the rhythmic play of light and shadow across its modular walls.
After its journey from Jeddah, the AlMusalla Pavilion now stands illuminated in Bukhara a quiet sanctuary woven from nature’s leftovers. Its modular walls, crafted from date palm waste, breathe life into sustainable design while inviting moments of stillness and reflection. As shadows dance across its surface, the pavilion becomes more than architecture it’s a living rhythm, echoing tradition and transcending borders.

A Modular and Flexible Design

The pavilion is composed of modular geometric units that can be dismantled and reassembled with ease, allowing it to take on new forms in different locations. Its design achieves a subtle balance between light and shadow, creating a calm, meditative space for reflection and prayer.

The AlMusalla Pavilion’s wooden frame stands tall under a clear blue sky in Bukhara, its woven panels catching the sun. In the background, locals stroll by — a child on a bike, women walking — turning the architectural installation into part of daily life.
More than just an art piece the AlMusalla Pavilion has become a quiet neighbor in Bukhara’s streets. Its warm wood and rhythmic weave don’t shout for attention; they simply invite you in. As kids ride bikes and passersby pause to glance, the pavilion blends effortlessly into the city’s heartbeat architecture that doesn’t just exist, but lives alongside its people.

Nature-Inspired Materials

Constructed using natural materials derived from date palm waste such as fronds and fibers, the pavilion embodies a strong connection between architecture and the surrounding environment. This approach reflects a commitment to sustainability and reuse, while preserving the tactile beauty of raw materials.

The AlMusalla Pavilion bathed in soft daylight, its woven wooden screens filtering light and shadow. People gather — some seated on built-in benches, others standing in conversation — turning the structure into a living social space under an open sky.
This isn’t just architecture it’s a stage for human moments. The AlMusalla Pavilion, with its warm, textured walls and gentle play of light, invites people to linger, chat, or simply sit in quiet company. Whether dressed in thobes or casual wear, visitors find common ground here a place where culture, craft, and community quietly converge.

A Dialogue of Light and Weaving

The pavilion’s repetitive geometric rhythm recalls traditional weaving patterns, where shifting shadows throughout the day create an ever-changing atmosphere. This interaction produces a visual rhythm that merges structural precision with a handcrafted aesthetic, giving the space a quiet yet dynamic presence.

The skeletal frame of the AlMusalla Pavilion rises under a clear blue sky in Bukhara, with workers assembling its modular structure. In the background, the iconic turquoise dome of a historic mosque stands as a silent witness to this modern architectural journey.
It’s not just steel and scaffolding it’s a story being built. The AlMusalla Pavilion takes shape in the heart of Bukhara, where ancient domes watch over new frames. Workers move with purpose, turning geometric modules into sacred space a quiet dialogue between past and future, tradition and innovation, all under one sun.

A New Chapter in a Continuing Journey

Its reinstallation in Bukhara marks a new chapter in the pavilion’s architectural journey.
Although the setting has changed, the space still invites contemplation and gathering.
It shows how architecture can cross borders while preserving its human and spiritual essence.

✦ ArchUp Editorial Insight


This article examines the AlMusalla Pavilion as an architectural study of mobility and continuity, not permanence.
The imagery shows a modular structure made of precise geometric elements that respond gently to light.
This creates an atmosphere of calm and balance.

However, questions remain about its integration within Bukhara’s urban context.
Does the pavilion still reflect its original spatial spirit after relocation?

Despite these concerns, the project succeeds in material sustainability and conceptual clarity.
It offers a design model that encourages new thinking about relocatable and adaptive architecture.

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