Exterior view of the cylindrical concrete Mushroom Pavilion at Casa Wabi during sunset, surrounded by dense Oaxacan vegetation.

Casa Wabi Mushroom Pavilion: Agriculture Meets Art & Community

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ElementDetails
ArchitectsOMA
Area200 m²
Year2024
PhotographsRafael Gamo
CategoryMixed Use Architecture, Pavilion, Community
Partner In ChargeShohei Shigematsu
Project ArchitectsShary Tawil, Caroline Corbett
TeamDylan Wei, Francesco Rosati
CityPuerto Escondido
CountryMexico

Mushroom Pavilion at Casa Wabi: Integrating Food, Art, and Community

The Mushroom Pavilion is situated within the Casa Wabi Arts and Community campus, spanning an extensive 65-acre area between the mountains and the coast of Oaxaca. This space represents a model for rethinking the relationship between the natural environment and human activities, as it is designed to function as a fully integrated area for mushroom cultivation.

Integration of Nature and Art

The project reflects an architectural understanding that connects food, art, and community. By providing an environment suitable for cultivation, the pavilion contributes to enhancing interaction between visitors and agricultural practices, encouraging an appreciation of nature as a fundamental element in artistic and communal culture.

Promoting Community Exchange

The pavilion aims to create a space for communication between locals, visitors, and artists, transforming it into a platform for learning and experimentation rather than merely a production site. This approach demonstrates how architecture can support educational and cultural objectives while maintaining respect for the natural environment.

Aerial top-down view of the Mushroom Pavilion showing the central oculus and the circular concrete structure in the desert landscape.
An aerial perspective reveals the perfect circular geometry and the central oculus that provides natural light and ventilation to the interior. (Image © Rafael Gamo)
Eye-level entrance view of the concrete Mushroom Pavilion with a silhouette of a person entering the structure.
The main entrance of the pavilion invites visitors into a cave-like sanctuary dedicated to both food production and artistic reflection. (Image © Rafael Gamo)

Functional Simplicity of the Pavilion

Despite its simple design, the pavilion represents an advanced model for organizing spaces dedicated to mushroom cultivation. Its basic cylindrical form facilitates internal movement and enhances the efficiency of agricultural operations, prioritizing function over decorative form.

Thoughtful Interior Layout

The interior consists of three main chambers: the fruiting room, the incubation room, and a storage area, all surrounding a central space that brings together various activities. This organization allows for smooth workflow, providing access to all stages of production without complexity.

Interactive Design and Panoptic Viewing

The lower half of the pavilion is designed as stepped tiers resembling a circular theater, forming shelves for handcrafted clay mushroom containers. This approach not only serves a functional purpose but also offers a panoptic viewing experience, allowing visitors to observe the entire mushroom growth process, thereby linking agricultural practice with an educational and interactive experience simultaneously.

Architectural floor plan of the Mushroom Pavilion showing the fruiting room, incubation room, and central gathering space.
The architectural plan highlights the strategic division into three main chambers: the Fruiting Room, Incubation Room, and Worker’s Room.

Natural Light and Ventilation

The pavilion opens to the sky through an oculus, filling the central, cave-like space with natural light. Additionally, peripheral openings at the base provide natural ventilation, creating an environment conducive to mushroom growth while reducing reliance on mechanical air-control systems.

Views and Perspective

A platform and gateway located at the top of the tiers offer views that extend beyond the local vegetation to the ocean horizon, adding both an experimental and aesthetic dimension to the visitor experience. This integration allows the surrounding landscape to become part of their understanding of the agricultural and artistic process, similar to urban integration in architecture.

Minimal Environmental Impact

The pavilion’s base is designed with a 3D volume that curves inward, minimizing direct contact with the ground. This design not only protects the surrounding landscape but also allows for the growth of native plants, such as the Guaiacan tree, providing a balance between human activity and the preservation of the natural environment.

Interior of the Mushroom Pavilion featuring terraced seating for clay pots, a central oculus, and a panoptic viewing experience.
Inside, the amphitheater-style steps serve as functional shelves for handmade clay pots, creating a panoptic educational experience. (Image © Rafael Gamo)

Materials and Interaction with the Environment

The pavilion’s outer shell is composed of cast-in-place, flattened concrete, with burlap used as an external layer to help retain moisture in the concrete, especially given the iron-rich water in the region. For further technical details, see Material Datasheets.

Natural Transformation of Appearance

The pavilion serves as a model for interaction with natural elements; the concrete, designed in this way, will gradually develop rust and changes in color and texture over time. This approach reflects a design philosophy that embraces the natural transformation of materials, connecting the architectural process with the local environment in a dynamic and sustainable manner.

The Mushroom Pavilion nestled in the green landscape with the Pacific Ocean stretching in the background.
The pavilion’s rooftop portal offers a view that extends beyond the local flora to the vastness of the Pacific Ocean. (Image © Rafael Gamo)
High-angle landscape shot of the Mushroom Pavilion at Casa Wabi during a golden sunrise over the Mexican coast.
Minimalist design meets environmental respect; the pavilion’s small footprint allows the native Guayacán trees to thrive nearby. (Image © Rafael Gamo)

Design Philosophy and Dual Function

The Mushroom Pavilion project at Casa Wabi reflects an approach that links practical and social functions. The pavilion is designed to serve as a dedicated space for mushroom cultivation while simultaneously acting as a platform for gathering and interaction between local residents and visitors.

A Nursery Between Food and Community

The pavilion exemplifies an integrated nursery for both food and community, where agricultural activity provides a space for cultural exchange and shared experiences. This approach demonstrates how architecture can support relationships between humans, nature, and art, emphasizing spatial traditions and a design philosophy that places the human experience at the heart of the architectural process.

Distant landscape view of the Mushroom Pavilion between the mountains and the Pacific coast beach at Casa Wabi.
Located between the mountains and the sea, the pavilion functions as a bridge between the natural ecosystem and human intervention. (Image © Rafael Gamo)

✦ ArchUp Editorial Insight

The Mushroom Pavilion at Casa Wabi reflects the accumulation of institutional and financial pressures more than any individual design choice. The project was driven by cultural and community funding, linking educational and agricultural activities within an arts campus, while providing incentives for integrated community experiences. The pavilion’s cylindrical form and upper and lower openings are merely responses to spatial organization, natural ventilation constraints, and water conservation, while the interior layout and central nursery balance the intensity of agricultural activity with visitor movement, maintaining population interactions within the site. The concrete shell and management of iron in the water ensure that the spatial outcomes align with site resources and anticipated environmental risks. The result is a spatial composition that reflects compliance with regulatory standards, resource distribution, and human usage rates, making the pavilion a demonstration of social and environmental capital metrics rather than purely an artistic expression.


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