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He Built This City: Joe Macken’s Model

February 12 @ 8:00 am - December 31 @ 5:00 pm

He Built This City exhibition image featuring Joe Macken’s handmade New York City model at the Museum of the City of New York

Overview

The Museum of the City of New York presents “He Built This City: Joe Macken’s Model,” an ongoing exhibition in the Dinan Miller Gallery celebrating a handmade architectural model of New York City constructed over 21 years by Queens-born artist Joe Macken. This is the first time the model has been presented to the public in New York City itself, the subject and muse behind the entire project.

The exhibition is a rare instance of an architectural and artistic object being shown in the city it depicts, creating a direct dialogue between the model and the lived urban reality visible just outside the museum’s walls. Its placement alongside MCNY’s permanent exhibitions “New York at Its Core” and “Timescapes” positions Macken’s work within a broader institutional narrative about how the city has grown, changed, and been imagined across time.

Focus

Joe Macken began the model in 2004 at his home in Middle Village, Queens, later continuing in Clifton Park, New York. Working entirely by hand using everyday materials including balsa wood, cardboard, and glue, he constructed a model spanning 50 by 27 feet, comprising over 340 individual sections. The model renders New York’s skyline, neighborhoods, and landmarks with a combination of precision, personal detail, and artistic imagination rather than strict documentary accuracy.

Macken started with 30 Rockefeller Plaza, infusing its familiar form with details that signal his personal artistic vision from the outset. Over two decades, the model expanded into a comprehensive portrait of the city at a scale that few individual artists have attempted. Its physical dimensions make it less a tabletop model and more an inhabitable environment: the installation in the Dinan Miller Gallery is designed to allow close inspection alongside appreciation of the full scale, with binoculars provided for visitors to examine individual buildings in detail. When weather permits, the North Terrace gives access to view the model’s north side.

An accompanying video in the gallery documents Macken’s hand-carving process, giving the exhibition an additional layer that connects the finished object to the years of labour and decision-making behind it.

Built entirely by hand using everyday materials, the model spans 50 by 27 feet and comprises over 340 individual sections. It renders the city’s skyline, neighborhoods, and landmarks with remarkable precision, character, and imagination.
Museum of the City of New York, Exhibition Description, 2026

Context within the Museum

The exhibition is displayed on the museum’s first floor, steps away from “New York at Its Core,” which explores four centuries of urban transformation through themes of density, diversity, money, and creativity, and “Timescapes,” which animates the city’s physical expansion over time. The museum frames the three presentations as a conversation: where “New York at Its Core” uses archival and material evidence and “Timescapes” uses moving image, Macken’s model offers a tactile, artistic interpretation of the built environment that brings the city’s past and present into a shared, immersive space.

Artist

Joe Macken is a self-taught artist born in Queens, New York. The model project, spanning from 2004 to 2025, represents a sustained commitment to a single work over more than two decades. It has been exhibited previously outside New York; this MCNY presentation marks its debut in the city that is its subject. Macken works in a tradition of outsider and folk art that intersects with architectural model-making, though his work operates outside professional architectural or planning practice entirely.

Audience

The exhibition is open to the general public and requires timed ticket purchase. Its subject matter and scale make it relevant to audiences spanning architecture and urban history enthusiasts, artists and craftspeople, educators and students, and general visitors with an interest in New York City. The provision of binoculars and an outdoor viewing option signal an installation designed to reward sustained, careful engagement rather than a quick pass-through.

Event Details

Status Ongoing (no closing date listed)
Location Dinan Miller Gallery, Museum of the City of New York, 1220 Fifth Ave at 103rd St., New York, NY
Hours Mon–Fri 10am–5pm / Sat–Sun 10am–6pm
Admission / Fees Timed tickets required — purchase via mcny.org. General admission applies; MCNY members free.
Artist Joe Macken (Queens, NY)
Model Dimensions 50 by 27 feet, 340-plus individual sections, constructed 2004–2025
Lead Support Todd DeGarmo / STUDIOS Architecture
Sponsors Amazon, Matt and Marisa Brown, RUDIN
Supported by NYC Department of Cultural Affairs with NYC Council, and individual donors

✦ ArchUp Editorial Insight

What makes Macken’s model architecturally interesting is not its accuracy but its subjectivity. A professionally produced scale model of New York exists in various forms, from the Panorama of the City of New York at the Queens Museum to countless planning and real estate representations. Macken’s model is different because it is an artistic statement about the city rather than a document of it: the choices of what to include, how to render details, and where to begin (30 Rockefeller Plaza, not an expected starting point) reveal a personal relationship with the built environment that professional models deliberately suppress. Showing this at MCNY, where the permanent collection frames the city as a subject of historical and urban scholarship, is an editorial decision that asks visitors to hold both registers at once: the city as data and the city as feeling. Whether the exhibition succeeds in making that tension explicit rather than merely implicit depends on its interpretive text, which was not available in the source material.

Closing Note

A 50-by-27-foot handmade model of New York City, built over 21 years by a single artist in Queens, shown for the first time in the city it represents: the biographical and material facts of the project are themselves an argument about what it means to pay sustained attention to a place. For those interested in how cities are imagined, represented, and loved by the people who live in them, the exhibition is worth the timed ticket.

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