When Color Becomes an Acoustic Decision: Dark Materials, Absorbent Surfaces, and What the Architect Sees but Doesn’t Hear
In modern cinema halls, the choice of dark materials is far more than an aesthetic decision — it is an acoustic contract. This article explores how sound absorption coefficients, reverberation times, and immersive audio formats like Dolby Atmos demand that architects and interior designers understand acoustic physics from the earliest material specification stages, not as an afterthought outsourced to engineers.
