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Latinitudes: A Collection of Latin American Modern Architecture

April 2 @ 8:00 am - July 18 @ 5:00 pm

Free
He Built This City exhibition image featuring Joe Macken’s handmade New York City model at the Museum of the City of New York

Overview

The Graham Foundation for Advanced Studies in the Fine Arts presents “Latinitudes: A Collection of Latin American Modern Architecture” at Madlener House in Chicago, running April 2 through July 18, 2026. This is the first presentation of the exhibition in the United States, following a tour that has reached institutions across Latin America and Europe since its São Paulo debut in 2015.

The exhibition brings together more than 100 photographs by Brazilian visual artist Leonardo Finotti, curated by Brazilian architect Michelle Jean de Castro. It surveys modern architecture across twelve Latin American cities, proposing a horizontal framework for understanding modernism as a shared, parallel development across the region rather than a series of isolated national stories. It is presented in partnership with the Chicago Architecture Biennial, selected by Biennial Artistic Director Florencia Rodriguez as a continuation of the CAB’s engagement with Latin American architecture in its SHIFT edition.

Focus

The title combines “latitudes” and “Latin” to propose a geographical and cultural framework for reading Latin American modernism horizontally, across shared histories and climates, rather than vertically, through individual national canons. The exhibition covers housing, civic, and cultural buildings by key figures of twentieth-century Latin American modernism, presenting them within a connected architectural landscape that spans the continent.

Finotti’s photography is not straightforwardly documentary. Trained as an architect and later at the Bauhaus Foundation in Dessau, he works at the intersection of architectural photography and independent artistic practice, producing images that reinterpret rather than merely record the buildings they depict. The exhibition asks viewers to consider how modern architecture emerged in parallel across Latin America and throughout the Americas, with Chicago, a city foundational to modern architectural experimentation, serving as a particularly resonant viewing context.

Cities Represented

Buenos Aires, Argentina
Bogotá, Colombia
Caracas, Venezuela
Guatemala City, Guatemala
Havana, Cuba
Lima, Peru
Mexico City, Mexico
Montevideo, Uruguay
Quito, Ecuador
San José, Costa Rica
Santiago, Chile
São Paulo, Brazil

Architects Represented

Luis Barragán
Lina Bo Bardi
Roberto Burle Marx
Félix Candela
Eladio Dieste
Emilio Duhart
Ricardo Legorreta
Paulo Mendes da Rocha
Oscar Niemeyer
Juan O’Gorman
Mario Pani
Ricardo Porro
Rogelio Salmona
Clorindo Testa
Carlos Raúl Villanueva

Combining the words “latitudes” and “Latin,” Latinitudes proposes a horizontal framework connecting cities across shared geographies and histories.
Graham Foundation Exhibition Description, 2026

Program

Opening and Talk by Leonardo Finotti

The exhibition opens on April 2, 2026 at 6pm with a talk by photographer Leonardo Finotti. This event offers the primary opportunity to hear from the exhibition’s originating artist on the project’s development and photographic approach over more than a decade.

Talk by Catherine Seavitt — April 30

“Military Gardens: Roberto Burle Marx in Brasília” — a talk expanding on the exhibition’s engagement with landscape architect and artist Roberto Burle Marx, one of the key figures represented in the photographs, in the specific context of Brasília’s monumental modernist project.

Talk by Patricio del Real — June 25

“Constructing Latin America: Architecture, Politics, and Race at the Museum of Modern Art” — a talk examining how Latin American architecture has been institutionally framed and exhibited within North American cultural contexts, a subject with direct relevance to the exhibition’s own first US presentation.

Origins and Travel History

Latinitudes originated as a project of LAMA.SP (Latin American Modern Architecture, São Paulo), an artist-run space co-founded by Michelle Jean de Castro and Leonardo Finotti. First presented in São Paulo in 2015, accompanied by a book published by Lars Müller (“A Collection of Latin American Modern Architecture,” 2016), the exhibition has since traveled to Bogotá, Cuenca, Guadalajara, Mexico City, Montevideo, and Quito. The Chicago presentation at the Graham Foundation is its first US venue, making it simultaneously a local debut and the culmination of a decade-long international touring history.

Photographers and Curator

Leonardo Finotti is a visual artist based in São Paulo whose work spans modern architectural photography and documentation of anonymous or informal urban spaces. His photographs are held in the collections of MoMA New York, the Bauhaus Dessau Foundation, Architekturzentrum Wien, and other major institutions. He has represented Brazil at two Venice Architecture Biennials. Michelle Jean de Castro is an architect and curator based in Stockholm whose practice focuses on spatial dimensions of memory, absence, and displacement. Her curatorial work includes ongoing projects examining Afro-religious diasporic landscapes in Brazil and West Africa. The exhibition is organized at the Graham Foundation by director Sarah Herda and program manager Ava Barrett.

Audience

The exhibition is open to the public at Madlener House. Its primary audience is architects, historians of design, curators, and practitioners interested in Latin American modernism, architectural photography, and the politics of how non-Western or non-European architectural traditions are archived and exhibited. The accompanying talk programme extends the exhibition’s reach to academic and research audiences engaged with these questions.

Event Details

Exhibition Dates April 2 – July 18, 2026
Opening Event April 2, 2026, 6pm — Talk by Leonardo Finotti
Related Talk 1 April 30, 2026 — Catherine Seavitt on Roberto Burle Marx in Brasília
Related Talk 2 June 25, 2026 — Patricio del Real on Latin America at MoMA
Venue Graham Foundation / Madlener House, 4 West Burton Place, Chicago, Illinois 60610
Admission / Fees Free and open to the public (Graham Foundation standard admission policy applies — verify at grahamfoundation.org)
Photographer Leonardo Finotti, São Paulo
Curator Michelle Jean de Castro, Stockholm
Organized by Sarah Herda (Director) and Ava Barrett, Graham Foundation
Partner Chicago Architecture Biennial
Contact info@grahamfoundation.org / +1 312 787 4071

✦ ArchUp Editorial Insight

What makes Latinitudes worth attention beyond its subject matter is its framing proposition: that Latin American modernism should be read horizontally across a shared continental geography rather than as a collection of national stories subordinate to European or North American modernist narratives. This is not a new argument in architectural history, but presenting it photographically, across twelve cities, at an institution whose own history is inseparable from Chicago modernism, creates a productive friction. Finotti’s photographs are the exhibition’s critical mechanism: trained as an architect and at the Bauhaus, he is positioned between disciplinary insider and independent artist, which allows his images to do something different from either pure documentation or pure aesthetic appropriation. The accompanying talk by Patricio del Real, examining how Latin American architecture has been institutionally framed at MoMA, is the most intellectually charged element of the programme, because it directly raises the question of what it means for this exhibition to arrive at an American institution for the first time now.

Closing Note

A decade after its São Paulo debut, Latinitudes arrives in the United States at a moment when the institutional frameworks for understanding non-Western modernisms are being actively renegotiated. The Graham Foundation’s programme history, which includes “Architecture of Independence: African Modernism” (2016) and “Every Building in Baghdad: The Rifat Chadirji Archives” (2016), positions this exhibition within a sustained curatorial interest in architectural modernisms outside the canonical European and North American lineage. Whether Latinitudes extends that conversation or restates it will depend on how the programme develops across its three-month run.

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