Kelly Wearstler designs Los Angeles hotel bar to feel "like it has been there for ages" تصمم كيلي ويرستلر بار فندق لوس أنجلوس لتشعر "كما لو كان موجودًا منذ زمن طويل"

Kelly Wearstler designs Los Angeles hotel bar to feel “like it has been there for ages”

Named after Mexico’s national flower, the Dahlia bar features a blushing interior that was designed to echo the rest of the hotel – also created by Wearstler.

The designer looked to the same Spanish, Mexican, and Moroccan influences that define the wider Downtown LA Proper, such as terracotta Roman clay plaster walls and ceilings when conceptualizing the bar.

Artwork on the wall of the Dahlia bar
Dahlia is a cocktail lounge within the Downtown LA Proper hotel

“The warm, earthy tones of the lounge are in concert with the larger hotel while striking their own note entirely,” said Wearstler.

“Dahlia feels like it has been there for ages,” added the designer. Who has been named as a judge for the inaugural Dezeen Awards China.

Bar clad with lilac cement tiles
Moroccan cement tiles clad the bar

Visitors enter the bar through yellow-tinged stained glass doors that were custom-made for the venue by Los Angeles’ Judson Studios. It also claims to be the oldest family-run stained glass company in America.

Seating was created from a mix of built-in reddish banquettes and low-slung curved armchairs that hug circular timber tables. While a geometric chandelier draped in light-filtering silk was suspended overhead.

In one corner, an embossed and low-slung black cabinet supports two squat table lamps that look like oversized green olives.

Wearstler adorned the clay plaster walls with a mishmash of vintage and contemporary textural artwork. It was finished in ceramic and sand. Various local artists were in the mix.

Eclectic bar interior by Kelly Wearstler
Kelly Wearstler imbued the venue with her signature eclectic style

Defined by “saturated hues and dramatic lighting,” the cocktail lounge also features a bar clad with lilac-hued Moroccan cement tiles and woven crimson rugs.

“This is the kind of space where you can entirely lose track of time,” said the designer.

 

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