Ready To Hang (RTH) - Mallorca by Silvia Foz - Gotchi Mirror - 5

Mirrors as Art and Experience: Design Inspiration from the Mediterranean and Ready-to-Wear Fashion

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Design Inspiration from the Mediterranean

The new mirror collection by Ready To Hang, a New York-based company, draws inspiration from the beauty of the Mediterranean waters surrounding Spain’s Mallorca Island. This inspiration reflects a growing trend in contemporary design, where designers aim to integrate nature and the surrounding environment into furniture and interior décor.

Mirrors as More Than Just Décor

Geoffrey Renz, the founder of the company, notes that the mirrors in this collection are not used merely as aesthetic elements; they go beyond their traditional function to become part of the spatial experience. They act as visual punctuation, offering moments of pause and reflection, and allow users an intimate interaction with their surroundings.

Reflecting Presence and Spatial Awareness

These mirrors contribute to shaping how we engage with a space, reflecting our presence and altering our perception of the surrounding areas. This opens the door to considering how artistic and design elements can be integrated to enhance the user experience within different architectural spaces, whether residential or public.

Mallorca by Silvia Foz - Big Squeeze Mirror - 7

Design Inspiration from Ready-to-Wear Fashion

When founding Ready To Hang, Geoffrey Renz drew inspiration from the world of ready-to-wear fashion, imagining furniture as an extension of an individual’s personal style. In this context, mirrors are seen not merely as decorative elements, but as pieces that reflect the character of a space just as clothing reflects a person’s personality. This approach highlights the relationship between fashion and interior design, showing how simple elements can convey a sense of identity and personal taste.

Architectural Collaboration and Variety of Forms

The collection was designed in collaboration with the Munarq Studio for architecture and interior design in Mallorca, founded by Rafel and Pau Munar. The mirrors feature a variety of forms, ranging from soft curves to precise geometric lines, offering users options that suit different spaces and interior styles.

Innovative Details in the Designs

Some designs stand out with gel-like glass and vibrant colors such as ruby red and honey orange. Other designs incorporate subtle fashion-inspired touches, like handbag-like clasps, pearl beads, and puffed frames. These small details highlight the artistic spirit of fashion and introduce an element of playfulness and creativity into the user’s experience of interior spaces.

Ready To Hang (RTH) - Mallorca by Silvia Foz - Big Squeeze Mirror - 8

Mirrors as an Interactive Element in Architectural Spaces

The collection is displayed inside Ca Na Pau, a recently completed private residence in the village of Binissalem, Mallorca, designed by Munarq Studio. The architectural design of the home is characterized by thick stone walls and carved voids, with a thoughtful interplay of light and shadow, creating a sensory-rich and detailed atmosphere.

The mirrors are distributed throughout the home in a way that connects interior and exterior spaces, from the extended patio to the poolside. In this context, the mirrors go beyond their traditional reflective function, becoming interactive elements that reflect the surrounding environment and evoke a sense of mystery and allure, acting as visual portals that invite exploration of the space from a new perspective.

Mallorca by Silvia Foz - Clasp Mirror
Ready To Hang (RTH) - Mallorca by Silvia Foz - Squeeze Mirror - 6

ArchUp Editorial Insight

This mirror collection can be seen as a case study in how artistic elements can be integrated into contemporary architecture in an interactive way. One of the first aspects that draws attention is the use of mirrors to expand and redefine spaces, where reflections allow the experience of the environment from different angles. This opens the door to understanding the relationship between lighting, materials, and movement within a space. Such an approach can be particularly valuable for architects and interior designers working on projects that require dynamic visual interaction.

Looking at the design details, there is a clear focus on diverse lines and shapes, reflecting the principle of variety in contemporary architecture. Soft curves and precise geometric lines provide practical examples of how organic and geometric styles can be combined within the same project, serving as inspiration for other design experiments.

From a material perspective, the use of gel-like glass and vibrant colors creates a sensory experience that goes beyond traditional aesthetic appeal. This can be considered a model for how unconventional materials can add layers of depth and visual interest without requiring major structural changes in the space.

Functionally, the mirrors are placed at points where interior and exterior spaces meet, a strategic element that enhances the connection between different environments. This idea offers a practical example of designing seamless spaces, where architects and designers can benefit from considering the flow of movement and light in their projects.

From a human experience standpoint, the mirrors create moments of pause and reflection, highlighting the importance of the psychological dimension in interior design. This concept can be applied to develop spaces that are not only visually appealing but also interactive and conducive to mindfulness and presence.

Additionally, the collection can be viewed as a study in integrating fashion and art into architecture without over-ornamentation, reflecting the principle of balancing beauty and function. This raises an important point for architects on how conceptual elements can be introduced without compromising the everyday usability of spaces.



Prepared by the ArchUp Editorial Team

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