Ausarta by Designs of the Time: Textiles That Evoke the Horizon

Belgian textile brand Designs of the Time has introduced the Ausarta fabric collection, a serene and tactile exploration of texture, light, and natural tonality. Defined by earthy colourways and crafted linen blends, Ausarta draws conceptual depth from the imagery of an isolated island — where stone, sand, clay, light, and atmosphere converge in quiet poetry. This collection speaks not only to the physicality of materials but to the elusive sensation of “the promise of the horizon”.

The fabrics are woven with a delicate, experimental hand. By blending natural fibres — especially linen — with muted jewel tones and raw, mineral shades, the textiles reflect the organic irregularity of natural landscapes. The creative weaving techniques result in subtle dimensionality and patterns that react to their environment, shifting softly in response to light and air.

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Tactile Design Rooted in Landscape

Each fabric in the Ausarta collection is an interpretation of the natural world through material language. Rather than mimicking surface appearances, Designs of the Time captures essence — the stillness of weathered rock, the grain of sunlit dunes, or the motion of wind across water.

According to the studio, “The materials skilfully play with light and shadow through textured linen blends that catch the breeze and create ever-changing patterns.” These subtle optical effects give the textiles a dynamic quality that is both visual and spatial — a rare achievement in curtain and upholstery fabrics.

The restrained colour palette includes tones that feel both ancient and alive: rust, chalk white, slate grey, soft ochre, washed indigo, and vegetal green. They appear not as painted surfaces but as shades drawn from within the fibres themselves — a result of nuanced dyeing and artisanal weaving processes.

Highlights from the Collection

Among the standout fabrics is Aldati, a dramatic linen drapery named after a work by Spanish artist Eduardo Chillida. Like the engraving that inspired it, Aldati’s slightly three-dimensional weave creates a sense of motion and shadow, as if the fabric itself were sculpted from the atmosphere. Its irregularity is intentional — evoking natural erosion, organic rhythms, and the intuitive markings of a coastal landscape.

Another design, Marés, features a pure-linen construction with a subtle check pattern that emerges like the patterns of dry, cracked earth. Its balance of texture and restraint makes it ideal for interiors that celebrate quiet materiality.

Then there’s Elogio, a linen blend that features gradient colour transitions — like the fading sky at dusk or sand shifting beneath shallow water. Its tonal shifts feel spontaneous, revealing new depths when layered or draped.

These pieces aren’t decorative in a traditional sense. Instead, they build atmosphere. Their impact lies in how they modulate space: softening edges, filtering light, and adding spatial rhythm without demanding attention.

Material Honesty and Visual Calm

The decision to work with linen — alone or in blends — is more than aesthetic. Linen offers irregular fibre structure, responsiveness to light, and excellent breathability. It also adds weight and movement that feels alive. The way Designs of the Time leverages these qualities shows deep material understanding.

What stands out across the Ausarta fabric collection is restraint. There is no artificial gloss, no excessive colour. The textures are soft yet substantial, suggesting lived-in comfort and design that matures beautifully over time.

These textiles align with a wider shift in architectural and interior sensibility — away from cold perfection and toward designs that honour imperfection, tactility, and slow elegance.

Conclusion: A Subtle Masterpiece of Fabric Design

The Ausarta collection by Designs of the Time is not a trend-driven line of textiles. It is a quiet, serious offering — a sensory language composed of earthy fibres, shadows, and spatial texture. These are fabrics that don’t simply cover surfaces but inhabit them.

By grounding its designs in real-world materials and anchoring its aesthetics in elemental rhythms, the collection offers a powerful case for textiles as spatial experiences, not just visual accessories.

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