Camille Henrot: Paper Planes 2026

Overview

Camille Henrot: Paper Planes is a contemporary art exhibition presented at Copenhagen Contemporary in Copenhagen, Denmark. The exhibition marks the artist’s largest solo presentation in Scandinavia, bringing together film, sculpture, painting, drawing, and installation within one exhibition environment.

From the perspective of architecture, the exhibition explores how spatial environments can shape perception, behavior, and movement beyond the limits of conventional gallery design.

Focus

The exhibition examines themes including care, childhood, ecological anxiety, systems of knowledge, and the ways people interpret an increasingly complex world. Rather than presenting a linear narrative, the works encourage multiple readings through varied media and changing spatial relationships.

Its interdisciplinary approach aligns with broader discussions in design, where physical objects, visual language, and human interaction collectively define spatial experience.

The exhibition treats space as an active participant, where artworks are experienced through movement, observation, and changing perspectives rather than viewed as isolated objects.

Program

The exhibition includes new and existing works spanning sculpture, painting, drawing, installation, and film. Central to the presentation is the Scandinavian premiere of In the Veins, accompanied by large-scale sculptural works, immersive installations, and interactive pieces distributed throughout the galleries.

The galleries are arranged to encourage visitors to navigate between different scales and media, producing varied spatial experiences. This curatorial strategy reflects ideas frequently explored in urban planning, where circulation and perception influence how people understand and occupy space.

Audience

The exhibition is intended for the general public, architects, artists, designers, students, researchers, and visitors interested in contemporary art and spatial practice.

Event Details

✦ ArchUp Editorial Insight

Rather than relying on architecture as a static backdrop, Paper Planes transforms the exhibition space into an active component of the artwork itself. The relationship between moving images, sculptural installations, and circulation creates an environment where meaning develops through physical engagement rather than sequential viewing. From an architectural perspective, the exhibition demonstrates how curatorial strategies can redefine spatial hierarchy inside existing industrial buildings without altering their structural framework. At the same time, the experience depends heavily on controlled gallery conditions, limiting the transfer of these spatial experiments to everyday public environments.

Closing Note

The exhibition presents a multidisciplinary exploration of contemporary art in which spatial organization, movement, and perception play roles equal to the artworks themselves, reinforcing the growing overlap between artistic practice and architectural thinking.