Overview

Gaudí–Miró–Gomis Deconstructed is an immersive exhibition at Casa Batlló Contemporary in Barcelona, Spain. The project reinterprets the connections between Antoni Gaudí, Joan Miró, and Joaquim Gomis through a contemporary digital and spatial lens. It uses technologies such as 3D scanning, generative AI, and audiovisual installations to reconstruct and reframe their visual and architectural legacies inside the Casa Batlló environment.

From an architecture perspective, the exhibition operates as a reinterpretation of architectural heritage through computational processes, where historical form is translated into dynamic spatial data rather than preserved as static object.

Focus

The exhibition focuses on the relationship between architecture, visual art, and photography, using Gaudí’s organic spatial language as a starting point. It then overlays Miró’s abstract visual systems and Gomis’s photographic documentation to construct a layered reading of cultural memory.

This approach connects to broader ideas in design, where representation is no longer fixed but continuously reconstructed through digital interpretation and generative systems.

The exhibition treats architectural heritage as a mutable dataset, where meaning is constantly reassembled through technological mediation.

Program

The program includes immersive audiovisual environments, generative installations, and spatial reinterpretations of archival material. It combines original references to Gaudí’s architectural logic with Miró’s artistic abstraction and Gomis’s photographic perspective, producing hybrid spatial narratives.

The exhibition also extends the idea of spatial storytelling into the built environment of Casa Batlló itself, linking directly to urban planning concepts where layered histories and visual systems shape how cities and buildings are read over time.

Audience

The exhibition is aimed at the general public, architects, designers, researchers, and visitors interested in the intersection of heritage, digital technologies, and contemporary spatial practice.

Event Details

✦ ArchUp Editorial Insight

The exhibition positions architectural heritage within a computational framework where historical works are no longer treated as fixed cultural artifacts but as adaptable datasets subject to reinterpretation. By merging Gaudí’s spatial logic with Miró’s abstraction and Gomis’s photographic record, the project constructs a layered narrative that prioritizes reconstruction over preservation. From an architectural perspective, this raises questions about authenticity and authorship, as digital mediation begins to replace direct spatial experience with algorithmically generated environments. While this approach expands interpretive possibilities, it also risks detaching the work from its material and urban context, reducing architecture to a visual system rather than a lived spatial condition.

Closing Note

The exhibition presents a technologically driven reinterpretation of cultural heritage, positioning architecture and art as dynamic systems shaped by digital transformation rather than static historical references.