A large circular architectural opening in a concrete wall connecting two activity halls within the Feixiuwei Pavilion.

Feixue Pavilion: Architecture, Nature, and Rural Education

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Mass Composition and the Relationship Between Light and Space

The architectural composition of the project is based on a concept inspired by five pear-shaped petals, where independent concrete slabs overlap at varying heights and projections. This layering helps reduce the perception of mass rigidity and creates voids that allow natural light to penetrate during the day. At night, artificial lighting highlights the edges of the volumes and clearly defines the building’s silhouette.

Integration with the Natural Site

The new building is connected to the mountainous character of the site through the extension of its rear section into a vegetation-covered slope, continuing the relationship established by the original house with the terrain. In addition, the winding path establishes a sequential movement that passes first by a large rock and an old pear tree before reaching the entrance, strengthening the connection between circulation and existing natural elements. The shadow of the tree is reflected in the shallow water basin on the surface, adding a visual layer tied to the site context.

Materiality and Hand Treatment of Concrete

The project combines industrial construction techniques with manual material interventions. The courtyard walls were hand-carved after the concrete had hardened, resulting in a rough, irregular surface that evokes the texture of eroded rock or tree bark. In this way, the material becomes a medium that visually and tactilely connects the building to its surrounding mountainous environment.

CategoryDetails
ArchitectsArchermit
Area672 m²
Year2025
PhotographsArch-Exist
Lead ArchitectPan Youcai
Construction CompanyLuzhou Xingyang Jianchuan Industrial Co., Ltd.
CategoryTourism
Design DirectorYang Zhe
Technical DirectorChen Renzhen
Design TeamYang Rui, Hu Qinmei, Gou Yuanjun, Zhao Yaxian
Construction Drawing TeamChengdu Meixia Architectural Design Co., Ltd
ClientLihua Village Collective Asset Management Co., Ltd., Jiangyang District, Luzhou
CityLuzhou
CountryChina
Detailed view of hand-carved concrete walls with a rough texture resembling natural stone or tree bark at Feixiuwei Pavilion.
The concrete walls were hand-carved after hardening to create a textured surface that connects the building to its mountain environment. (Image © Arch-Exist)
Interior educational space with wooden-framed glass doors and a minimalist concrete column under a curved ceiling.
Transition spaces in the pavilion are designed to blur the lines between the indoor learning environment and the outdoor rural landscape. (Image © Arch-Exist)

Roof Treatment and Its Relationship with Natural Elements

The roof design is based on flat surface models equipped with water reservoirs found in local villages, integrated with small green tiles inspired by traditional sloped roofs. After waterproofing the concrete slab, the tiles were laid horizontally as a base layer, followed by a shallow water layer that reflects surrounding environmental elements such as trees, clouds, and bird movement. Air movement across the surface generates water ripples that are projected onto the ceilings of the second floor, while drainage openings during the rainy season transform into small water channels that interact with the humid mountain climate.

Functional Distribution within the Architectural Composition

The internal functions are organized according to a division derived from the five petals that form the project. The first petal contains the reception hall, while a circular opening visually connects it to the craft activity hall in the second petal. The third petal serves as a semi-open transitional space inspired by traditional pavilions in classical gardens. The fourth and fifth petals contain study rooms, activity areas, and relaxation zones.

Central Void and Deconstruction of the Building Mass

The architectural volume relies on overlapping concrete slabs at different heights, which visually softens the perception of a two-story mass. At the same time, the five petals form a central courtyard open to the sky, allowing natural light to enter through the gaps between them. This produces shifting shadows on the ground plane and enhances the sense of openness within the interior space.

Close-up of the circular window framing a view of the interior craft workshop at Feixiuwei Pavilion.
Interior thematic spaces like the “Seed Bag” and “Wood Grain Library” are organized to encourage sensory observation. (Image © Arch-Exist)
An outdoor terrace with a shallow water pool reflecting the sky and mountain peaks at dusk.
The horizontal roof slabs feature a thin layer of water that reflects the surrounding clouds and bird movements. (Image © Arch-Exist)
High-angle aerial view of the five overlapping concrete petals of Feixiuwei Pavilion nestled in the forest.
The architectural form is inspired by five pear petals, creating a central courtyard that opens toward the sky. (Image © Arch-Exist)
Exterior view of the pavilion at night with lights highlighting the concrete edges and the building’s silhouette.
Night lighting emphasizes the building’s silhouette, making it a prominent landmark within the rural landscape. (Image © Arch-Exist)

Interior Composition and Spatial Program

The “Feixue Pavilion” operates as a miniature theater of nature, organized into six thematic spaces: “Awakening” (the seed suitcase), “Weaving Green” (leaf-vein weaving workshop), “Chirr” (insect concert hall), “Grain Reading” (wood grain library), “Stone Rise” (lithography room), and “Forge” (wooden tool workshop). This organization transforms natural elements into sensory educational activities rooted in observation and direct experience.

Educational Experience and the Child’s Relationship with Nature

The project emphasizes experiential learning based on sensory interaction with the natural environment rather than direct instruction. Within these spaces, children engage with natural materials such as tree bark, stones, seeds, and leaves as mediums for reading and expression. In this sense, learning becomes an act of discovery, where knowledge emerges through direct experience within a changing natural environment.

Community Dimension and the Project’s Relationship with the Rural Context

The pavilion treats the rural environment as an integral part of its functional structure rather than a detached backdrop. By linking educational activities to agricultural life, the project creates interactions between urban visitors and local residents, resulting in a shared social use of the space. Through repeated activities, the building becomes embedded in the village’s daily cycle and gains meaning through its continuous interaction with its natural and social context.

Detail of the rooftop pool drainage system interacting with the mountain climate during a humid day.
Drainage outlets transform into small water features during the rainy season, interacting with the humid mountain climate. (Image © Arch-Exist)
Vertical view showing the tiered concrete balconies and their relationship with the steep mountain terrain.
By embedding part of the structure into the slope, the pavilion maintains a continuous relationship with the mountain topography. (Image © Arch-Exist)
A view from under the concrete slab canopy showing the interaction between the built structure and the mountain foliage.
The staggered heights of the concrete “petals” allow natural light to filter through, reducing the perceived mass of the building. (Image © Arch-Exist)

✦ ArchUp Editorial Insight

The “Feixue Pavilion” can be read as a structural response to rural revitalization policies and the economics of experiential education tied to urban tourism flows, where cultural policy and seasonal visitor dynamics act as primary drivers rather than design intent alone. Capital allocation appears linked to regional development incentives that redefine the village as an educational service node within an urban demand network. Regulatory and logistical constraints manifest in dispersed material sourcing, unstable occupancy patterns, and the integration of local labor into a visitor-driven economy. This results in a spatial distribution that organizes movement across six functional zones as an operational solution for sensory learning, transforming natural elements into educational interfaces. The project is not read as an autonomous design act, but as a negotiated condition between education, rural labor absorption, and visitor density, reflecting architecture as a delayed outcome of policy and demographic transformation.


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