Home » News » Restored Arsenale Warehouses House New Biennale Historical Archive

Restored Arsenale Warehouses House New Biennale Historical Archive

An expansive industrial interior showing historic columns, a steel staircase, and a modern glazed enclosure.
The ground floor intervention integrates a modern glazed enclosure and steel circulation route within the historic industrial structure. Image courtesy Andrea Avezzu / La Biennale di Venezia.

La Biennale di Venezia recently unveiled the new headquarters for its Historical Archive – International Center for Research on Contemporary Arts (ASAC) at the Arsenale. The project transforms a series of historic industrial buildings into a 8,000-square-meter cultural infrastructure dedicated to the preservation, study, and production of contemporary arts documentation. This relocation moves the institutional memory of the Biennale from its previous site in Marghera to the heart of Venice’s primary exhibition precinct.

The intervention involved the adaptive reuse of five interconnected structures known as the Officine e Magazzini del Ferro. These buildings extend over 200 meters parallel to the Corderie, creating a unified campus for researchers, students, and the public. The Italian Ministry of Culture provided €38 million in funding to support the construction and restoration, which the team completed on schedule following a March 2024 start date.

An elevated view looking down a long industrial hall with an extensive exposed timber roof truss system.
The upper level showcases the restored exposed timber roof trusses extending across the 200-meter-long industrial complex. Image courtesy Andrea Avezzu / La Biennale di Venezia.

Industrial heritage adapts to contemporary research needs

The design team organized the internal program to balance specialized preservation with public accessibility. The ninety-meter-long Congegnatori e Aggiustatori building contains the technical core of the facility, including restoration laboratories and cataloging areas. Multi-level compact shelving systems increase the storage capacity from 5,000 to 8,000 linear meters, allowing the institution to house its vast collection of photographic archives, audio recordings, and posters in one location.

Climate-control technology manages the interior environment to protect sensitive paper-based and multimedia materials. Meanwhile, the Magazzini del Ferro buildings offer open consultation spaces where visitors engage with digital and physical collections. These areas support flexible research methods, connecting the historic documentary resources with modern educational and experimental programs.

A multi-level interior displaying a wooden stair, metal walkways, and historic brick archways.
Contemporary metal walkways and stairs interface with the historic brick archways of the former industrial warehouses. Image courtesy Andrea Avezzu / La Biennale di Venezia.

Spatial integration connects archives with exhibition cycles

The new headquarters facilitates a permanent presence for the ASAC within the exhibition circuit of the Giardini and the Arsenale. Beyond storage and study, the facility includes multifunctional spaces for workshops, exhibitions, and architecture programs. A new restaurant and public amenities ensure the complex functions as a year-round destination rather than a closed repository. This spatial strategy encourages a direct dialogue between the historical records of past exhibitions and the creation of new artistic work.

A high-angle interior view of an open-plan industrial hall with perimeter walkways and fenestration.
Perimeter walkways overlook the open-plan volume, organizing the research center within the former industrial fabric. Image courtesy Andrea Avezzu / La Biennale di Venezia.

The project forms part of a larger institutional initiative involving 22 separate works across Venice, including the Lido and Forte Marghera. By centralizing the archive, the Biennale strengthens its collaboration with international universities and researchers. The move effectively transforms the archive from a remote storage site into an active participant in the city’s urban and cultural fabric.

A crowded public event or presentation taking place inside a large, high-ceilinged industrial hall.
The adaptive reuse intervention accommodates cultural infrastructure and public programs inside the open-plan volumes. Image courtesy Andrea Avezzu / La Biennale di Venezia.

✦ ArchUp Editorial Insight

The relocation of the ASAC headquarters to the Arsenale represents a critical shift from archival seclusion to urban integration. By repurposing the Magazzini del Ferro, the project preserves 8,000 square meters of Venice’s industrial heritage while solving an urgent logistical need for expanded storage. The intervention replaces the isolated VEGA site in Marghera with a visible, accessible research environment that physically connects the Biennale’s history to its active exhibition grounds. This move establishes the archive as a vital spatial component of the exhibition sequence, ensuring that the institutional memory functions as a generative tool for contemporary production rather than a static historical record.

Project Team: Ottavio di Blasi & Partners, TA Torsello Architettura, Studio SERES, Studio Milan Ingegneria, TFE Ingegneria, Setten Genesio S.p.A. Location: Arsenale Sud, Venice, Italy.

Project Notes: Completed June 2026. Managed by the Special Projects Department of La Biennale di Venezia. Funded by the Italian Ministry of Culture via the PNRR program.

Further Reading From ArchUp

  • Operational Architecture: Office and Transit Hubs in Tokyo and Sydney 2026

    Related knowledgeAdaptive reuse152 indexed articlesThe Service Ended. Why Is the Architecture Still Here?Keeping the Façade Is Not Enough: Measuring the…

  • Christian + Jade explores the Weight of Wood at 3 Days of Design

    Danish design studio Christian + Jade has created an exhibition in collaboration with wood flooring manufacturer Dinesen that explores the density of wood and its significance and history as a commodity. The Weight of Wood exhibition, which takes place at the Dinesen showroom as part of Copenhagen festival 3 Days of Design, was the result

  • Meet SWP: a groundbreaking strabismus cure device for kids

    TechnologySeoul-based designer Haechen Ryu offers SWP – an innovative device that improves the limitations of prism glassesThe best kind of product design aims to find answers to complex issues. An effective healthcare solution has been proposed by Haechan Ryu. SWP is a unique wearable strabismus cure device for kids that includes a motorized prism lens.

  • HOTO: A savvy laser device that gets rid of measuring tapes for good

    Related knowledgeAdaptive reuse152 indexed articlesThe Service Ended. Why Is the Architecture Still Here?Keeping the Façade Is Not Enough: Measuring the…

  • Heavy Lightness by Gaspar Bonta

    Download our DWalking guide (pdf, mobile-friendly) with all the info for visiting. Gaspar Bonta turns furniture into a dance between transparency and color with its geometric plexiglass furniture collection.  The iridescent multi-colored surface enables the nightstand, bench, and coffee table to change color depending on the lighting conditions and angle vision, making them an ever-changing spectacle. 

  • Releaf Freedom – an inclusive design for incontinence

    DesignMaking life less stressful, this product allows elderly and less able patients to urinate comfortably whether standing or seated giving them independenceDid you know that an estimated 423 million people suffer from urinary incontinence allowing them to never be more than an arm’s length from a toilet? This is where Releaf Freedom comes in –

Leave a Reply

Your email address will not be published. Required fields are marked *