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The Intersecting House: Two Pitched Volumes That Make Shade and Space

Two intersecting volumes give The Intersecting House near Warsaw its distinctive form. Designed by Exterio Architektura, the home combines pitched roofs, contrasting materials and a strong relationship with the surrounding pine forest.

The Intersecting House stands in a pine-filled residential area outside Warsaw, near Kampinos National Park. Exterio Architektura organized it as two pitched-roof volumes that cross at different heights and positions. The operation is easy to describe, but its value lies in what the overlap produces: a covered entrance, a sheltered west terrace, a double-height living room and a clear separation between shared and private functions.

The Intersecting House among pine trees near Warsaw
Two pitched volumes establish the house’s basic organization. Photography: Yassen Hristov.
Crossing upper and lower volumes of the Intersecting House
The shifted upper volume creates shelter at ground level. Photography: Yassen Hristov.
Forest-facing exterior of the Intersecting House
The massing keeps the surrounding pines present in long views. Photography: Yassen Hristov.

Overlap as a practical device

The lower volume carries the daytime spaces; the upper one contains bedrooms and other private rooms. By lifting and shifting the upper form along two axes, the architects avoid treating the overlap as sculpture alone. One projection covers the main entrance, while another shades the west-facing terrace. These intermediate zones reduce the abruptness of the boundary between house and garden.

Covered entrance to the Intersecting House
The upper volume extends above the arrival zone. Photography: Yassen Hristov.
Cantilevered upper volume above the ground floor
The overlap creates usable shelter rather than a purely formal gesture. Photography: Yassen Hristov.
Side elevation of the Intersecting House
Shifts in plan and height make the two volumes legible. Photography: Yassen Hristov.
Intersecting House framed by mature trees
The building’s geometry is read against the vertical rhythm of the pines. Photography: Yassen Hristov.
Garden elevation of the Intersecting House
Large openings concentrate on the garden side. Photography: Yassen Hristov.
Pitched roofs of the Intersecting House
Both volumes retain a domestic roof profile despite their offset. Photography: Yassen Hristov.
Upper volume projecting over the terrace
The projection shades the west-facing outdoor room. Photography: Yassen Hristov.
Exterior relationship between timber and light facade tiles
Contrasting finishes clarify the crossing volumes. Photography: Yassen Hristov.

A terrace that extends the living room

The covered patio is directly connected to the double-height living space. Monumental glazed panels can open to join the two, while the upper floor provides shade. The arrangement offers seasonal flexibility, but its success depends on drainage at the threshold, solar control and the reliable operation of unusually large moving glazing.

Covered west terrace at the Intersecting House
The upper floor forms a deep canopy above the terrace. Photography: Yassen Hristov.
Terrace connected to the double-height living room
The patio operates as an outdoor extension of the family space. Photography: Yassen Hristov.
Pine forest viewed from the sheltered patio
The covered edge holds views while moderating exposure. Photography: Yassen Hristov.

Windows tuned to forest and daylight

Broad horizontal glazing carries daylight deep into the shared spaces, while tall vertical windows echo the proportions of the pine trunks. The main living areas face three cardinal directions, so light changes across the day rather than arriving from a single glazed wall. This variety also gives circulation spaces their own connection to the site.

Tall vertical window in the Intersecting House
Vertical openings echo the surrounding pine trunks. Photography: Yassen Hristov.
Wide garden glazing at the Intersecting House
Horizontal glazing brings daylight into the principal rooms. Photography: Yassen Hristov.
Operable glass panels between living room and terrace
Large panels allow the interior and patio to function together. Photography: Yassen Hristov.
Stair and vertical glazing in the Intersecting House
Daylight turns movement between floors into part of the spatial experience. Photography: Yassen Hristov.

Two materials explain the massing

Dark vertical timber clads the lower volume, relating its grain to the tree trunks. Light horizontal facade tiles cover the upper volume. Direction and tone make the two bodies distinguishable without adding another decorative layer. Close views reveal that the architectural reading depends on consistent joints, corners and interfaces between the two systems.

Close view of facade tile and timber at the Intersecting House
Material direction reinforces the distinction between upper and lower volumes. Photography: Yassen Hristov.
Horizontal light facade tiles on the upper volume
The tile coursing strengthens the upper body’s horizontal reading. Photography: Yassen Hristov.
Vertical timber cladding on the lower volume
Dark timber ties the lower storey to the pine setting. Photography: Yassen Hristov.

A double-height room links both floors

The living room is the main vertical connection. Shared functions remain on the ground floor and private rooms above, but the void allows the two levels to remain visually related. A stair rises through this space, and an elevator provides a longer-term accessibility option despite the house having only two storeys.

Double-height living room in the Intersecting House
The living room visually connects shared and private levels. Photography: Yassen Hristov.
Living room opening toward the covered terrace
The principal family room is oriented to the garden. Photography: Yassen Hristov.
Stair rising through the double-height living room
Circulation is exposed to daylight and long interior views. Photography: Yassen Hristov.
Interior view toward pine trees at the Intersecting House
Glazing keeps the forest present from inside the home. Photography: Yassen Hristov.

Credits: Architecture: Exterio Architektura; project team: Marcin Klukowski, Karolina Syrkiewicz and Maciej Paszkowski; interior design: Hola Design; photography: Yassen Hristov.

✦ ArchUp Editorial Insight

The project responds to three established pressures: a wooded suburban site, the need to separate shared and private domestic life, and the desire to keep daylight and the pine landscape present across both floors. Exterio Architektura’s key decision is to cross two pitched volumes rather than stack them directly. That displacement generates the entrance canopy and west terrace, while the double-height living room and stair bind the interior vertically. The architectural result is a house whose formal identity performs several jobs at once: shade comes from the upper floor, circulation receives tall windows, and the distinction between dark timber below and light tiles above explains the organization from outside. The gain is a legible plan with generous transitions between interior and garden. The tradeoff lies in the oversized operable glazing, cantilevered edges and numerous material junctions, all of which require careful detailing, servicing and long-term inspection. The elevator improves future accessibility, but adds equipment and maintenance to a two-storey home. The Intersecting House is therefore strongest not as an abstract composition of crossed roofs, but as a demonstration that massing can organize climate moderation, movement and everyday zoning simultaneously.

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