Exterior street view of Cherokee House showing two cast-in-place concrete volumes with cantilevered overhangs and surrounding green foliage.

Cherokee House: Concrete, Glass, and Light in Spatial Design

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Massing Composition and Arrival Sequence

Cherokee House consists of two primary cast-in-place concrete volumes, separated by a vertical circulation core fully clad in transparent glass. This organization creates a clear contrast between the solidity of the concrete volumes and the transparency of the glazed core, which functions as a linking element and organizer of movement throughout the house. The moment of arrival is defined by a cantilevered projection of one of the concrete volumes over the vehicular entrance, marking the transition from the exterior space to the entry zone before reaching the interior spaces.

Materiality and Spatial Experience

Exposed concrete plays a central role in expressing the building’s material character, while natural light alters the presence of its surfaces throughout the day. Shadows appear across the concrete volumes as the position of the sun changes, transforming the reading of surfaces and spaces over time. Inside, concrete is integrated with wood, stainless steel, and stone to create a balance between the weight of solid materials and the warmth of interior elements, while maintaining a calm and balanced residential character.

DetailsInformation
ArchitectsSTUDIO KP2
Area3200 ft²
Year2026
PhotographsJoe Fletcher
ManufacturersSTUDIO KP2
CategoryResidential Architecture, Houses
Design TeamKARLOS PEREZ
General ContractorCORRADI GROUP
CityMiami Beach
CountryUnited States
Front architectural elevation of Cherokee House highlighting the central glazed vertical circulation core between two concrete blocks.
A transparent glass core links the two main concrete volumes, guiding visitors toward the main entry sequence. (Image © Joe Fletcher)
Architectural ground floor plan layout of Cherokee House displaying the kitchen island, living spaces, and staircase.
Ground floor plan showing the spatial flow between the kitchen, living areas, and vertical movement core.
Minimalist kitchen featuring a seamless stainless steel island, integrated wall panels, and suspended reddish pendant lights.
A monolithic stainless steel island serves as the functional and visual anchor of the open kitchen. (Image © Joe Fletcher)
Outdoor reflection pool reflecting the concrete structure and lush greenery next to a covered lounge patio.
The dark reflection pool captures reflections of the tropical foliage and raw concrete facade. (Image © Joe Fletcher)

Vertical Scenography and Transition Sequence

Vertical circulation forms an essential part of the experience of entering the house, where visitors are greeted by an abstract sculpture that marks the beginning of the transition path into the interior. After passing through, the vertical circulation core emerges as a space that brings together concrete, stone, travertine, and stainless steel. A linear skylight allows daylight to enter this space, causing the illumination across the material surfaces to change throughout the hours of the day, while spherical sculptures add a visual element that complements the contemplative character of the place.

In this context, Carlos Perez of Studio KP² explains the intention behind the design of this space, stating:

“From the beginning, we wanted the staircase to be much more than just a circulation element. We wanted it to evoke a sense of wonder, and to be a space where light, materials, and architecture come together to create a true sense of presence.”

The ascent is accompanied by an extended double-height glass enclosure, maintaining a continuous visual connection between vertical movement and the surrounding nature.

Social Areas and Light Control

The social areas are connected through an integrated spatial sequence that reduces the boundaries between architecture and interior design. The kitchen’s functional equipment is concealed behind continuous wall panels and sliding pocket doors, maintaining the simplicity of the interior scene. In contrast, the kitchen island, made from a single block of stainless steel, emerges as a central element that defines the organization of movement within the space.

Rectangular wooden screens function as light-filtering elements, controlling the penetration of sunlight into the interior while adding layers of changing shadows throughout the day. As a result, the relationship between light and interior surfaces continually changes, giving the social spaces a renewed visual presence without disrupting their sense of calm.

Architectural floor plan of the second level of Cherokee House showing bedroom layouts and vertical stair core.
Second floor plan highlighting the private sleeping quarters arranged around the double-height circulation core.
Interior shot of a sunlit living room with a brown velvet sectional sofa, sheer white curtains, and a square wooden lattice wall screen.
Wooden lattice screens and delicate sheer drapes regulate natural sunlight within the social lounge. (Image © Joe Fletcher)

Climate and Indoor-Outdoor Transition

Cherokee House responds to Miami’s subtropical climate by organizing the relationship between interior and exterior. Deep roof overhangs provide protection from direct sunlight while creating shaded transitional areas between the interior spaces and the surrounding exterior. Views are carefully framed to bring the surrounding nature into the interior scene while maintaining a degree of privacy.

The swimming pool surface extends outdoors to function as a reflective element, capturing the sky and surrounding vegetation and reflecting them onto the concrete surfaces. This visual presence of water contributes to strengthening the relationship between natural elements and the architectural composition, while also allowing the interior scene to change with variations in light and weather conditions.

Material Philosophy and Contemplative Spirit

The architecture and interior design of Cherokee House combine a precise material language with a spatial sensitivity inspired by certain principles of contemporary Japanese architecture, where tranquility and contemplation are integrated into the everyday experience of the place. The design philosophy relies on a limited palette of materials and carefully considered geometric proportions, balancing the weight of concrete with the transparency of glass while avoiding excessively expressive forms.

The building’s presence emerges through the precise relationship between materials, light, and space, so that the architectural experience does not depend on a single element but rather on their continuous interaction. In this way, the house maintains a calm and balanced character, with its visual reading changing through the movement of natural light and the passage of time.

Open-plan living room with plush brown modular sofa and wooden lattice screen opening to an outdoor reflection pool.
Wide sliding glass doors dissolve the boundary between the main living area and the outdoor reflection pool. (Image © Joe Fletcher)
Exterior dusk view of Cherokee House showing illuminated interior living spaces framed by concrete overhangs and reflection pool.
At dusk, warm interior illumination contrasts with the cool tones of the exposed concrete structure. (Image © Joe Fletcher)

✦ ArchUp Editorial Insight

Cherokee House approaches massing composition as a controlled sequence rather than merely a static envelope; two concrete volumes, a transparent vertical core, and deep roof overhangs establish a carefully calibrated progression between exposure, movement, and seclusion. The system of concrete, travertine, wood, steel, and water transforms changing light into an operational component of architecture, particularly within Miami’s subtropical climate.

Yet this contemplative coherence conceals a more complex reality. The apparent economy of material expression depends on precise fabrication, extensive glazing, advanced construction detailing, and continuous environmental management. Therefore, the transparent circulation core can be read not merely as a sensory device, but as a high-resource spatial mechanism. The discipline of the composition may be intellectually rigorous, but its environmental and economic cost complicates the assumption that reducing material expression necessarily leads to more sustainable design.


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